Pannese, Alessia (Author)
The aesthetic appreciation of art depends on learned, culturally determined factors. The aesthetic response to music is associated with automatic, physical events. Coexistence of cultural and physical factors epitomizes Baumgarten's theory of taste. Music reconciliates scientific and humanistic meanings of the word aesthetics.
...MoreDescription On the ideas of 18th-century philosopher Alexander Gottlieb Baumgarten.
Book
Charrak, André;
(2001)
Raison et perception: fonder l'harmonie au XVIIIe siècle
(/isis/citation/CBB000501924/)
Book
Steblin, Rita;
(2002)
A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries
(/isis/citation/CBB000201641/)
Article
Hui, A. E.;
(2011)
Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata
(/isis/citation/CBB001033821/)
Chapter
Leman, Marc;
(2002)
Expressing Coherence of Musical Perception in Formal Logic
(/isis/citation/CBB000330016/)
Article
Schäfer, Armin;
(2013)
The Audiovisual Field in Bruce Nauman's Videos
(/isis/citation/CBB001320387/)
Article
Schmidt, Michael J.;
(2014)
Visual Music: Jazz, Synaesthesia and the History of the Senses in the Weimar Republic
(/isis/citation/CBB001201425/)
Thesis
Hui, Alexandra;
(2008)
Hearing Sound as Music: Psychophysical Studies of Sound Sensation and the Music Culture of Germany, 1860--1910
(/isis/citation/CBB001561163/)
Book
Thor Magnusson;
(2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions
(/isis/citation/CBB909967877/)
Book
Rothenberg, David;
Ulvaeus, Marta;
(2001)
Book of Music and Nature: An Anthology of Sounds, Words, Thoughts
(/isis/citation/CBB000102184/)
Book
Holsinger, Bruce W.;
(2001)
Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer
(/isis/citation/CBB000102292/)
Book
Lütge, Christoph;
Meyer, Torsten L.;
(2005)
Musik, Technik, Philosophie: Fragen und Positionen; (Translated title: [Music, art, philosophy: Questions and positions)
(/isis/citation/CBB001181177/)
Thesis
Patrick David-Jung Bonczyk;
(2021)
“Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries
(/isis/citation/CBB497166926/)
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Erlmann, Veit;
(2010)
Reason and Resonance: A History of Modern Aurality
(/isis/citation/CBB001031303/)
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Kennaway, James Gordon;
(2014)
Music and the Nerves, 1700-1900
(/isis/citation/CBB001510075/)
Book
Starr, S. Frederick;
(2013)
Lost Enlightenment: Central Asia's Golden Age from the Arab Conquest to Tamerlane
(/isis/citation/CBB001202092/)
Book
Vega, Jesusa;
(2010)
Ciencia, Arte e Ilusión en la España Ilustrada
(/isis/citation/CBB001201788/)
Book
Dahlia Porter;
(2018)
Science, Form, and the Problem of Induction in British Romanticism
(/isis/citation/CBB734911585/)
Article
Francesca Antonelli;
(2018)
Lavoisier and Music: An Analysis of Notes sur la Musique (1778) within Its Cultural Context
(/isis/citation/CBB139335148/)
Book
Müller, Ernst;
(2004)
Ästhetische Religiosität und Kunstreligion: In den Philosophien von der Aufklärung bis zum Ausgang des deutschen Idealismus
(/isis/citation/CBB000750919/)
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Allison, Henry E.;
(2001)
Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment
(/isis/citation/CBB000102190/)
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