Article ID: CBB001210680

The Rhetoric of Disfigurement in First World War Britain (2011)

unapi

During the First World War, the horror of facial mutilation was evoked in journalism, poems, memoirs and fiction; but in Britain it was almost never represented visually outside the professional contexts of clinical medicine and medical history. This article asks why, and offers an account of British visual culture in which visual anxiety and aversion are of central importance. By comparing the rhetoric of disfigurement to the parallel treatment of amputees, an asymmetrical picture emerges in which the `worst loss of all'---the loss of one's face---is perceived as a loss of humanity. The only hope was surgery or, if that failed, prosthetic repair: innovations that were often wildly exaggerated in the popular press. Francis Derwent Wood was one of several sculptors whose technical skill and artistic `wizardry' played a part in the improvised reconstruction of identity and humanity.

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Citation URI
https://data.isiscb.org/isis/citation/CBB001210680/

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Authors & Contributors
Jones, Edgar
Meyer, Jessica
Harrison, Mark
Changboo Kang
Bamji, Andrew
Wessely, Simon
Journals
Twentieth-Century British History
Social History of Medicine
Journal of the History of Medicine and Allied Sciences
Nineteenth-Century Contexts
Medical History
Korean Journal of Medical History
Publishers
Oxford University Press
Palgrave Macmillan
Helion & Company
University of Essex (United Kingdom)
University of Michigan Press
Cambridge University Press
Concepts
World War I
Medicine and the military; medicine in war
Disabilities; disability; accessibility
Psychology
Psychology and war
Science and war; science and the military
People
Harold Gillies
Time Periods
20th century, early
20th century
19th century
Places
Great Britain
London (England)
United States
Poland
Germany
Institutions
The Pathological Society of Great Britain and Ireland
Royal Army Medical Corps
Lister Institute of Preventive Medicine, London
St. Bartholomew's Hospital (London)
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