The history of recorded sound begins in verse. Thomas Edison announced his plans to mechanically reproduce the human voice in a letter to Scientific American published on November 17, 1877.1 Three weeks later, Edison's associates assembled a simple device on which Edison recorded Mary Had a Little Lamb. Whatever disagreements exist among historians as to the exact events of that day, there is no disputing that the words of this nursery rhyme were among the first spoken by the phonograph.2 Their fame makes it all the more surprising that histories of the phonograph have had so little to say about the prominence of the spoken word at its initial demonstrations in America and Europe.3 [intro]
...More
Book
Sterne, Jonathan;
(2012)
MP3: The Meaning of a Format
(/isis/citation/CBB001320969/)
Book
Matthew Rubery;
(2016)
The untold story of the talking book
(/isis/citation/CBB986002328/)
Thesis
Sayers, Jentery;
(2011)
How Text Lost Its Source: Magnetic Recording Cultures
(/isis/citation/CBB001567268/)
Thesis
Whitney, Tyler;
(2013)
Spaces of the Ear: Literature, Media, and the Science of Sound, 1870--1930
(/isis/citation/CBB001562886/)
Article
Stefan Krebs;
(2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones
(/isis/citation/CBB007112913/)
Book
Bijsterveld, Karin;
Dijck, José van;
(2009)
Sound souvenirs: Audio technologies, memory and cultural practices
(/isis/citation/CBB001180422/)
Article
Chao, Noelle;
(2013)
Listening to the Voice on the Page: Joshua Steele and Technologies of Recording
(/isis/citation/CBB001201891/)
Article
Morris, David Z.;
(2014)
Cars with the Boom: Identity and Territory in American Postwar Automobile Sound
(/isis/citation/CBB001421261/)
Book
LaGrandeur, Kevin;
(2013)
Androids and Intelligent Networks in Early Modern Literature and Culture: Artificial Slaves
(/isis/citation/CBB001201685/)
Chapter
Peters, John Durham;
(2004)
Helmholtz, Edison, and Sound History
(/isis/citation/CBB000501983/)
Thesis
Kelleher, Kevin Daniel;
(2013)
The Contributions of Thomas Alva Edison to Music Education
(/isis/citation/CBB001567450/)
Thesis
Feaster, Patrick;
(2007)
“The Following Record”: Making Sense of Phonographic Performance, 1877--1908
(/isis/citation/CBB001561533/)
Chapter
Peters, J.;
(2004)
Helmholtz, Edison and sound history
(/isis/citation/CBB001180111/)
Book
Horning, Susan Schmidt;
(2013)
Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP
(/isis/citation/CBB001213164/)
Book
Daniel Morat;
(2014)
Sounds of modern history: Auditory cultures in 19th- and 20th- century Europe
(/isis/citation/CBB412109387/)
Article
Israel, Paul B.;
(2002)
Inventing Industrial Research: Thomas Edison and the Menlo Park Laboratory
(/isis/citation/CBB000300184/)
Book
Ross, Corey;
(2008)
Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich
(/isis/citation/CBB001232126/)
Book
Ketabgian, Tamara Siroone;
(2011)
The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture
(/isis/citation/CBB001211504/)
Thesis
Ethan Taylor Stephenson;
(2020)
Automata in the Victorian Imagination: Fictional Responses to Industrialization, Technology, and Human Perfectibility
(/isis/citation/CBB480780393/)
Book
Fred Botting;
Catherine Spooner;
(2015)
Monstrous Media/Spectral Subjects: Imaging Gothic from the Nineteenth Century to the Present
(/isis/citation/CBB966967924/)
Be the first to comment!