Studies of Anglo-Norman material culture, and pottery in particular, have struggled to see how processes of change are reflected in the material record. In this paper I propose a new approach to the analysis of this material. By reconstructing how people interacted with objects, we can see how the agency to create Anglo-Norman England was distributed through interactions between people and their surroundings. Furthermore, rather than being reflected in such interactions, continuity and change flowed through engagements with objects, generating unique meanings and experiences. This approach therefore challenges the existing ontology that underlies our understanding of the period and its political developments and ethnic identities.
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