Article ID: CBB001200951

Technology in Modern Moroccan Musical Practices (2012)

unapi

The proliferation of technologies in use for popular music in Morocco points to cultural interactions beyond the most local or national influences that inform musical practices there. Examining the integration of technologies from outside Morocco---including musical instruments, recording media, and distribution systems---sheds light on negotiations of novelty and difference in contemporary Moroccan social and political life and thus on multiple facets of how late modernity has played out there. Among other broad areas of significance that musical practices help illuminate are the social and economic effects of colonial and postcolonial interactions, including the development of cash economies, globalized exchange, and cultural tourism; nationalist initiatives to define culture; and large-scale migration to Europe and elsewhere in recent decades, following a longer population shift in 20th-century Morocco from primarily rural locales to burgeoning urban centers.

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https://data.isiscb.org/isis/citation/CBB001200951/

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Authors & Contributors
Braun, Hans-Joachim
Sterne, Jonathan
Amster, Ellen Jean
Apelian, Colette
Birdsall, Carolyn
Dannenberg, Roger B.
Journals
History and Technology
Icon: Journal of the International Committee for the History of Technology
Journal of the Acoustical Society of America
Labour History Review
New Media & Society
Poetics Today: International Journal for Theory and Analysis of Literature and Communication
Publishers
Acco
Amsterdam University Press
Duke University Press
MIT Press
Oxford University Press
Peter Lang
Concepts
Music
Technology and music
Technology and culture
Popular culture
Sound
Technology
Time Periods
20th century
21st century
20th century, late
20th century, early
19th century
Places
Morocco
United States
Great Britain
Soviet Union
Germany
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