Description The mp3 lies at the center of important debates around intellectual property and file-sharing, but it is also a cultural artifact in its own right. This article examines the design of the mp3 from both industrial and psychoacoustic perspectives to explain better why mp3s are so easy to exchange and the auditory dimensions of that process of exchange. As a container technology for recorded sound, the mp3 shows that the quality of `portability' is central to the history of auditory representation. As a psychoacoustic technology that literally plays its listeners, the mp3 shows that digital audio culture works according to logics somewhat distinct from digital visual culture. (Abstract from: http://nms.sagepub.com/content/8/5/825.abstract)
Book
O'Hara, Kenton;
Brown, Barry;
(2006)
Consuming music together: Social and collaborative aspects of music consumption technologies
(/isis/citation/CBB001181311/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
Article
Mauceri, Frank X.;
(1997)
From experimental music to musical experiment
(/isis/citation/CBB001181293/)
Book
Miller, Paul D.;
(2008)
Sound unbound: Sampling digital music and culture
(/isis/citation/CBB001181299/)
Book
Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
Article
Sandywell, Barry;
Beer, David;
(2005)
Stylistic morphing: Notes on the digitisation of contemporary music culture
(/isis/citation/CBB001181350/)
Article
Sterne, Jonathan;
(2006)
The death and life of digital audio
(/isis/citation/CBB001181380/)
Article
Maronttate, Jan;
(2005)
Digital recording and the reconfiguration of music as performance
(/isis/citation/CBB001181291/)
Book
Morris, Adalaide Kirby;
(1997)
Sound states: Innovative poetics and acoustical technologies
(/isis/citation/CBB001181302/)
Article
Pennycook, Bruce;
(1997)
Live electroacoustic music: Old problems, new solutions
(/isis/citation/CBB001181319/)
Book
Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
(/isis/citation/CBB001181395/)
Book
Théberge, Paul;
(1997)
Any sound you can imagine: Making music/consuming technology
(/isis/citation/CBB001181388/)
Book
Prendergast, Mark J.;
(2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age
(/isis/citation/CBB001181333/)
Book
Rose, Tricia;
(1994)
Black noise: Rap music and black culture in contemporary America
(/isis/citation/CBB001181345/)
Book
Richter, Klaus Peter;
(1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte
(/isis/citation/CBB001181340/)
Book
Manning, Peter;
(2004)
Electronic and computer music
(/isis/citation/CBB001181290/)
Book
Engel, Friedrich;
Kuper, Gerhard;
Bell, Frank;
Polzer, Joachim;
(2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
(/isis/citation/CBB001181229/)
Book
Collins, Karen;
(2008)
Game sound: An introduction to the history, theory, and practice of video game music and sound design
(/isis/citation/CBB001181205/)
Article
Goodwin, Andrew;
(1988)
Sample and hold: Pop music in the digital age of reproduction
(/isis/citation/CBB001181244/)
Book
Young, Rob;
(2002)
Undercurrents: The hidden wiring of modern music
(/isis/citation/CBB001181407/)
Be the first to comment!