Description Muzak, also known as `nonaggressive music deterrent', is used more and more often as a strategic weapon in the effort to make public space `safe' and controllable. But according to Jonathan Sterne, its use is primarily aimed at excluding non-consumers -- whereas he believes it should be seen as a vital component of urban design. In Sterne's opinion, besides an aesthetical dimension, sound also has a political and ethical dimension. (Abstract from: http://classic.skor.nl/article-2853-en.html)
Book
Engel, Friedrich;
Kuper, Gerhard;
Bell, Frank;
Polzer, Joachim;
(2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
(/isis/citation/CBB001181229/)
Book
Collins, Karen;
(2008)
Game sound: An introduction to the history, theory, and practice of video game music and sound design
(/isis/citation/CBB001181205/)
Article
Mauceri, Frank X.;
(1997)
From experimental music to musical experiment
(/isis/citation/CBB001181293/)
Article
Freire, Sergio;
(2003)
Early musical impressions from both sides of the loudspeaker
(/isis/citation/CBB001181236/)
Book
Young, Rob;
(2002)
Undercurrents: The hidden wiring of modern music
(/isis/citation/CBB001181407/)
Chapter
Whittington, William;
(2009)
Sound design in new Hollywood cinema
(/isis/citation/CBB001181402/)
Article
Levin, Thomas Y.;
(1990)
For the record: Adorno on music in the age of its technological reproducibility
(/isis/citation/CBB001181283/)
Book
Manning, Peter;
(2004)
Electronic and computer music
(/isis/citation/CBB001181290/)
Article
Pinch, Trevor;
Bijsterveld, Karin;
(2004)
Sound studies: New technologies and music
(/isis/citation/CBB001181327/)
Book
Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
Article
Maisonneuve, Sophie;
(2001)
Between history and commodity: The production of a musical patrimony through the record in the 1920--1930s
(/isis/citation/CBB001181288/)
Article
Stephenson, Tim;
(2006)
Poeme electronique by Edgar Varese: Authenticity, reproduction, and mediatization
(/isis/citation/CBB001181377/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
Chapter
Siefert, Marsha;
(1994)
The audience at home: The early recording industry and the marketing of musical taste
(/isis/citation/CBB001181365/)
Book
Théberge, Paul;
(1997)
Any sound you can imagine: Making music/consuming technology
(/isis/citation/CBB001181388/)
Book
Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
(/isis/citation/CBB001181395/)
Book
Miller, Paul D.;
(2008)
Sound unbound: Sampling digital music and culture
(/isis/citation/CBB001181299/)
Book
Prendergast, Mark J.;
(2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age
(/isis/citation/CBB001181333/)
Book
Richter, Klaus Peter;
(1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte
(/isis/citation/CBB001181340/)
Book
Rose, Tricia;
(1994)
Black noise: Rap music and black culture in contemporary America
(/isis/citation/CBB001181345/)
Be the first to comment!