Description Uses the practice of song dubbing in the Hollywood film musical to explore the implications and consequences of the singing voice for imaging practices in the 1930s through 1960s. Discusses the ideological, technological, and socioeconomic basis for song dubbing. Discusses gender, race, and ethnicity patterns of image-sound practices. (Abstract from: http://www.eric.ed.gov/ERICWebPortal/search/detailmini.jsp?_nfpb=true&_&ERICExtSearch_SearchValue_0=EJ509726&ERICExtSearch_SearchType_0=no&accno=EJ509726)
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Kenney, William Howland;
(1999)
Recorded music in American life: The phonograph and popular memory, 1890--1945
(/isis/citation/CBB001181270/)
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Taylor, Timothy Dean;
(2012)
The sounds of capitalism: Advertising, music, and the conquest of culture
(/isis/citation/CBB001181385/)
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Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
(/isis/citation/CBB001181395/)
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Morris, Adalaide Kirby;
(1997)
Sound states: Innovative poetics and acoustical technologies
(/isis/citation/CBB001181302/)
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Prendergast, Mark J.;
(2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age
(/isis/citation/CBB001181333/)
Article
Maisonneuve, Sophie;
(2001)
Between history and commodity: The production of a musical patrimony through the record in the 1920--1930s
(/isis/citation/CBB001181288/)
Article
Taylor, Timothy;
(2002)
Music and the rise of radio in 1920s America: Technological imperialism, socialization, and the transformation of intimacy
(/isis/citation/CBB001181386/)
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Kelly, Caleb;
(2009)
Cracked media: The sound of malfunction
(/isis/citation/CBB001181265/)
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Young, Rob;
(2002)
Undercurrents: The hidden wiring of modern music
(/isis/citation/CBB001181407/)
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Millard, A. J.;
(1995)
America on record: A history of recorded sound
(/isis/citation/CBB001180107/)
Article
Pennycook, Bruce;
(1997)
Live electroacoustic music: Old problems, new solutions
(/isis/citation/CBB001181319/)
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Théberge, Paul;
(1997)
Any sound you can imagine: Making music/consuming technology
(/isis/citation/CBB001181388/)
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Miller, Paul D.;
(2008)
Sound unbound: Sampling digital music and culture
(/isis/citation/CBB001181299/)
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Richter, Klaus Peter;
(1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte
(/isis/citation/CBB001181340/)
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Rose, Tricia;
(1994)
Black noise: Rap music and black culture in contemporary America
(/isis/citation/CBB001181345/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
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Manning, Peter;
(2004)
Electronic and computer music
(/isis/citation/CBB001181290/)
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Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
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Dogantan, Mine;
(2008)
Recorded music: Philosophical and critical reflections
(/isis/citation/CBB001181222/)
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Bayley, Amanda;
(2010)
Recorded music: Performance, culture and technology
(/isis/citation/CBB001181157/)
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