Chapter ID: CBB001181365

The audience at home: The early recording industry and the marketing of musical taste (1994)

unapi

Siefert, Marsha (Author)



Publication Date: 1994
Edition Details: Chapter 12
Language: English

Included in

Book Ettema, James S.; Whitney, D. Charles (1994) Audiencemaking: How the media create the audience. unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB001181365/

Similar Citations

Book Harper, Graeme; (2009)
Sound and music in film and visual media: An overview (/isis/citation/CBB001181401/)

Chapter Cleophas, E.; Bijsterveld, Karin; (2011)
Selling sound: Testing, designing and marketing sound in the European car industry (/isis/citation/CBB001181098/)

Chapter Rieger, Matthias; (2003)
Von der musik zum sound: Wie Helmholtz eine neue aera in der geschichte der musik begründete (/isis/citation/CBB001181339/)

Book Morris, Adalaide Kirby; (1997)
Sound states: Innovative poetics and acoustical technologies (/isis/citation/CBB001181302/)

Article Pennycook, Bruce; (1997)
Live electroacoustic music: Old problems, new solutions (/isis/citation/CBB001181319/)

Book Théberge, Paul; (1997)
Any sound you can imagine: Making music/consuming technology (/isis/citation/CBB001181388/)

Book Waksman, Steve; (1999)
Instruments of desire: The electric guitar and the shaping of musical experience (/isis/citation/CBB001181395/)

Book Miller, Paul D.; (2008)
Sound unbound: Sampling digital music and culture (/isis/citation/CBB001181299/)

Book Prendergast, Mark J.; (2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age (/isis/citation/CBB001181333/)

Book Kenney, William Howland; (1999)
Recorded music in American life: The phonograph and popular memory, 1890--1945 (/isis/citation/CBB001181270/)

Book Richter, Klaus Peter; (1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte (/isis/citation/CBB001181340/)

Book Rose, Tricia; (1994)
Black noise: Rap music and black culture in contemporary America (/isis/citation/CBB001181345/)

Book Sterne, Jonathan; (2003)
The audible past: Cultural origins of sound reproduction (/isis/citation/CBB001180121/)

Article Stephenson, Tim; (2006)
Poeme electronique by Edgar Varese: Authenticity, reproduction, and mediatization (/isis/citation/CBB001181377/)

Article Risset, Jean-Claude; (2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse (/isis/citation/CBB001181341/)

Article Levin, Thomas Y.; (1990)
For the record: Adorno on music in the age of its technological reproducibility (/isis/citation/CBB001181283/)

Article Pinch, Trevor; Bijsterveld, Karin; (2004)
Sound studies: New technologies and music (/isis/citation/CBB001181327/)

Book Zak, Albin, III; (2001)
The poetics of rock: Cutting tracks, making records (/isis/citation/CBB001181404/)

Book Manning, Peter; (2004)
Electronic and computer music (/isis/citation/CBB001181290/)

Authors & Contributors
Bijsterveld, Karin
Albin J. Zak, III
Stephenson, Tim
Rose, Tricia
Richter, Klaus Peter
Prendergast, Mark J.
Concepts
Sound
Sound studies
Sound Recording Industry
Technology and music
Music
Music, electronic
Time Periods
20th century
21st century
20th century, late
19th century
Places
United States
Europe
Great Britain
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment