O'Hara, Kenton (Editor)
Brown, Barry (Editor)
Description Contents: Part I : Introduction. -- Consuming music together: Introduction and overview / Kenton O'Hara ; Barry Brown -- Music and emotion in real time / Tia DeNora. -- Part II : Sharing music. -- Sharing and listening to music / Barry Brown ; Abigail Sellen -- Social practices around iTunes / Amy Voida ; Rebecca E. Grinter ; Nicholas Ducheneaut. -- Part III : Choosing music. -- Distributing the process of music choice in public spaces / Kenton O'Hara ; Matthew Lipson ; Axel Unger ; Huw Jeffries ; Marcel Jansen ; Peter Macer -- Promoting social interaction in public spaces: The Flytrap active environment / Andrew Crossen ; Jay Budzik. -- Part IV : Mobile music. -- Investigating the culture of mobile listening: From Walkman to iPod / Michael Bull -- tunA: Socialising music sharing on the move / Arianna Bassoli ; Julian Moore ; Stefan Agamanolis -- Car drivers using Sound Pryer -- joint music listening in traffic encounters / Mattias Östergren ; Oskar Juhlin. -- Part V : Music and dance. -- Digital dance hall: The fan culture of dance simulation arcade games / Jacob Smith -- “Sort drugs make mates”: The use and meaning of mobiles in dance music club culture / Karenza Moore -- hpDJ: An automated DJ with floorshow feedback / Dave Cliff. -- Part VI : Consumption as production. -- Interaction, experience and the future of music / Atau Tanaka -- Hail to the thief: The appropriation of music in the digital age / Teresa Dillon. (From WorldCat)
Article
Sterne, Jonathan;
(2006)
The MP3 as cultural artifact
(/isis/citation/CBB001181381/)
Article
Sandywell, Barry;
Beer, David;
(2005)
Stylistic morphing: Notes on the digitisation of contemporary music culture
(/isis/citation/CBB001181350/)
Article
Mauceri, Frank X.;
(1997)
From experimental music to musical experiment
(/isis/citation/CBB001181293/)
Article
Sterne, Jonathan;
(2006)
The death and life of digital audio
(/isis/citation/CBB001181380/)
Book
Miller, Paul D.;
(2008)
Sound unbound: Sampling digital music and culture
(/isis/citation/CBB001181299/)
Book
Richter, Klaus Peter;
(1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte
(/isis/citation/CBB001181340/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
Book
Young, Rob;
(2002)
Undercurrents: The hidden wiring of modern music
(/isis/citation/CBB001181407/)
Book
Kenney, William Howland;
(1999)
Recorded music in American life: The phonograph and popular memory, 1890--1945
(/isis/citation/CBB001181270/)
Book
Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
Book
Wouters, Kees;
(1999)
Ongewenschte muziek: De bestrijding van jazz en moderne amusementsmuziek in Duitsland en Nederland 1920--1945
(/isis/citation/CBB001181406/)
Article
McCourt, Tom;
Burkhart, Patrick;
(2003)
When creators, corporations, and consumers collide: Napster and the development of on-line music distribution
(/isis/citation/CBB001181294/)
Article
Maronttate, Jan;
(2005)
Digital recording and the reconfiguration of music as performance
(/isis/citation/CBB001181291/)
Book
Nyre, Lars;
(2008)
Sound media: From live journalism to music recording
(/isis/citation/CBB001181310/)
Book
Kelly, Caleb;
(2009)
Cracked media: The sound of malfunction
(/isis/citation/CBB001181265/)
Article
Lopes, Paul;
(1992)
Innovation and diversity in the popular music industry, 1969 to 1990
(/isis/citation/CBB001181286/)
Book
Morris, Adalaide Kirby;
(1997)
Sound states: Innovative poetics and acoustical technologies
(/isis/citation/CBB001181302/)
Article
Pennycook, Bruce;
(1997)
Live electroacoustic music: Old problems, new solutions
(/isis/citation/CBB001181319/)
Book
Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
(/isis/citation/CBB001181395/)
Book
Théberge, Paul;
(1997)
Any sound you can imagine: Making music/consuming technology
(/isis/citation/CBB001181388/)
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