Description The technical mediation of music, especially by computer technology, affects both the production and reception of music. The techniques associated with digital technology have increasingly become the primary means for the production of music regardless of genre. These same techniques are also becoming the primary means of reception. The consequence of this technical hegemony is a transformation in both compositional and listening sensibilities. This transformation is investigated and various strategies for thematizing this transformation in music are addressed in this paper. Emphasis is given to compositional and listening strategies that promote participatory responsiveness. (Portion of Abstract from: https://www.ideals.illinois.edu/handle/2142/20266)
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