Description From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of materials but also to key components of the compositional process itself. Although such influences have become less prominent with the advent of digital technology, their impact during the formative years of electroacoustic music was significant and far-reaching. This article examines some key aspects of the pioneering era of creative development through the early 1950s, with particular reference to the Bauhaus sound artists, Pierre Schaeffer and musique concrète, and the Cologne studio for elektronische Musik. (Abstract from: http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/leonardo_music_journal/v013/13.1manning.pdf)
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Pennycook, Bruce;
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Live electroacoustic music: Old problems, new solutions
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Instruments of desire: The electric guitar and the shaping of musical experience
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Théberge, Paul;
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Engel, Friedrich;
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Bell, Frank;
Polzer, Joachim;
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Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
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Maronttate, Jan;
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Lopes, Paul;
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(/isis/citation/CBB001181286/)
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Rodgers, Tara;
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Pink noises: Women on electronic music and sound
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Morris, Adalaide Kirby;
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Sound states: Innovative poetics and acoustical technologies
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Prendergast, Mark J.;
(2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age
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Rose, Tricia;
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Black noise: Rap music and black culture in contemporary America
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Risset, Jean-Claude;
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Manning, Peter;
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Electronic and computer music
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Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
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Sterne, Jonathan;
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The MP3 as cultural artifact
(/isis/citation/CBB001181381/)
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Kelly, Caleb;
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Cracked media: The sound of malfunction
(/isis/citation/CBB001181265/)
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Collins, Karen;
(2008)
Game sound: An introduction to the history, theory, and practice of video game music and sound design
(/isis/citation/CBB001181205/)
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Mauceri, Frank X.;
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From experimental music to musical experiment
(/isis/citation/CBB001181293/)
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Maisonneuve, Sophie;
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Between history and commodity: The production of a musical patrimony through the record in the 1920--1930s
(/isis/citation/CBB001181288/)
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Jordan, Matthew F.;
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Discophilie or Discomanie: The cultural politics of living-room listening
(/isis/citation/CBB001181257/)
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