Article ID: CBB001181289

The influence of recording technologies on the early development of electroacoustic music (2003)

unapi

Description From the earliest experiments with the manipulation of 78-rpm disks during the 1920s, the technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of materials but also to key components of the compositional process itself. Although such influences have become less prominent with the advent of digital technology, their impact during the formative years of electroacoustic music was significant and far-reaching. This article examines some key aspects of the pioneering era of creative development through the early 1950s, with particular reference to the Bauhaus sound artists, Pierre Schaeffer and musique concrète, and the Cologne studio for elektronische Musik. (Abstract from: http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/leonardo_music_journal/v013/13.1manning.pdf)


Citation URI
https://data.isiscb.org/isis/citation/CBB001181289/

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Authors & Contributors
Albin J. Zak, III
Rose, Tricia
Prendergast, Mark J.
Polzer, Joachim
Pennycook, Bruce
Morris, Adalaide Kirby
Journals
Poetics Today: International Journal for Theory and Analysis of Literature and Communication
Perspectives of New Music
New Media & Society
Journal of New Music Research
French Cultural Studies
Contemporary Music Review
Publishers
MIT Press
Wesleyan University Press
University Press of New England
University of North Carolina Press
University of California Press
Polzer
Concepts
Sound studies
Sound Recording Industry
Technology and music
Music
Sound
Music, electronic
Time Periods
20th century, late
20th century, early
20th century
21st century
Places
United States
France
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