Article ID: CBB001181236

Early musical impressions from both sides of the loudspeaker (2003)

unapi

Description Ametaphoric image of the loudspeaker and its sides sums up the spatio-temporal ruptures that started shaping aural perception in the late 19th century: on one side, the listener; on the other, sound events conveyed by phonographic products, radio and various sound-recording devices. Diverse practices as well as samples of theoretical and aesthetic thinking from the early 20th century illustrate how new media have affected the musical imagination and listening in general. (Abstract from: http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/leonardo_music_journal/v013/13.1freire.pdf)


Citation URI
https://data.isiscb.org/isis/citation/CBB001181236/

Similar Citations

Book Morris, Adalaide Kirby; (1997)
Sound states: Innovative poetics and acoustical technologies (/isis/citation/CBB001181302/)

Article Pennycook, Bruce; (1997)
Live electroacoustic music: Old problems, new solutions (/isis/citation/CBB001181319/)

Book Waksman, Steve; (1999)
Instruments of desire: The electric guitar and the shaping of musical experience (/isis/citation/CBB001181395/)

Book Théberge, Paul; (1997)
Any sound you can imagine: Making music/consuming technology (/isis/citation/CBB001181388/)

Book Miller, Paul D.; (2008)
Sound unbound: Sampling digital music and culture (/isis/citation/CBB001181299/)

Book Kenney, William Howland; (1999)
Recorded music in American life: The phonograph and popular memory, 1890--1945 (/isis/citation/CBB001181270/)

Book Richter, Klaus Peter; (1997)
Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte (/isis/citation/CBB001181340/)

Book Prendergast, Mark J.; (2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age (/isis/citation/CBB001181333/)

Book Rose, Tricia; (1994)
Black noise: Rap music and black culture in contemporary America (/isis/citation/CBB001181345/)

Chapter Siefert, Marsha; (1994)
The audience at home: The early recording industry and the marketing of musical taste (/isis/citation/CBB001181365/)

Article Stephenson, Tim; (2006)
Poeme electronique by Edgar Varese: Authenticity, reproduction, and mediatization (/isis/citation/CBB001181377/)

Article Risset, Jean-Claude; (2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse (/isis/citation/CBB001181341/)

Article Levin, Thomas Y.; (1990)
For the record: Adorno on music in the age of its technological reproducibility (/isis/citation/CBB001181283/)

Book Manning, Peter; (2004)
Electronic and computer music (/isis/citation/CBB001181290/)

Book Zak, Albin, III; (2001)
The poetics of rock: Cutting tracks, making records (/isis/citation/CBB001181404/)

Article Pinch, Trevor; Bijsterveld, Karin; (2004)
Sound studies: New technologies and music (/isis/citation/CBB001181327/)

Article Siefert, Marsha; (1995)
Image/Music/Voice: Song dubbing in Hollywood musicals (/isis/citation/CBB001181366/)

Authors & Contributors
Siefert, Marsha
Albin J. Zak, III
Wouters, Kees
Taylor, Timothy
Stephenson, Tim
Rose, Tricia
Journals
The Journal of Communication
Social Studies of Science
Poetics Today: International Journal for Theory and Analysis of Literature and Communication
October
Journal of New Music Research
International Journal of Performance Arts and Digital Media
Publishers
Oxford University Press
Wesleyan University Press
University Press of New England
University of North Carolina Press
University of California Press
Sdu Uitgevers
Concepts
Sound studies
Sound Recording Industry
Sound
Technology and music
Music
Music, electronic
People
Mozart, Wolfang Amadeus
Adorno, Theodor W.
Time Periods
20th century
20th century, early
21st century
Places
United States
Netherlands
Germany
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment