Hayward, Philip (Editor)
John Libbey
Physical Details: viii + 248 pp.; ill.
Language: English
Description Contents: Introduction: Technology and the (trans)formation of culture / Philip Hayward -- How intimate can art and technology really be?: A survey of the art and technology movement of the sixties / Marga Bijvoet -- From abstraction to simulation: Notes on the history of computer imaging / Andy Darley -- Holography: Art in the space of technology: Margaret Benyon, Paula Dawson and the development of holographic arts practice / Rebecca Coyle -- The architecsonic object: Stereo sound, cinema and Colors / Philip Brophy -- Scratch and after: Edit suite technology and the determination of style in video art / George Barber -- Industrial light and magic: Style, technology and special effects in the music video and music television / Philip Hayward -- Power, access and ingenuity: Electronic imaging technologies and contemporary visual art / Jeremy Welsh. Art byting the dust: Some considerations on time, economy and cultural practices of postmodernity / Tony Fry -- A new day for music?: Digital technologies in contemporary music-making / Alan Durant -- Digitisation and the living death of photography / Anne-Marie Willis -- Negotiating presence: Performance and new technologies / Andrew Murphie -- Metamedia and cyberspace: Advanced computers and the future of art / Paul Brown (From WorldCat)
Chapter Durant, Alan (1990) A new day for music? Digital technologies in contemporary music-making. In: Culture, technology & creativity in the late twentieth century (p. 175).
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