Cook, Nicholas (Editor)
Description Contents: Introduction / the editors -- Learning to live with recording / Susan Tomes -- A short take in praise of long takes / Peter Hill -- Performing for (and against) the microphone / Donald Greig -- Producing a credible vocal / Mike Howlett -- It could have happened: The evolution of music construction / Steve Savage -- Recording practices and the role of the producer / Andrew Blake -- Still small voices / Jonathan Freeman-Attwood -- Broadening horizons: “Performance” in the studio / Michael Haas -- Getting sounds: The art of sound engineering / Albin Zak -- Limitations and creativity in recording and performance / Martyn Ware -- Records and recordings in post-punk England, 1978-80 / Richard Witts -- The politics of the recording studio: A case study from South Africa / Louise Meintjes -- From Lanza to Lassus / Tully Potter -- From wind-up to iPod: Techno-cultures of listening / Arild Bergh and Tia DeNora -- A matter of circumstance: On experiencing recordings / Martin Elste -- Selling sounds: Recordings and the record business / David Patmore -- Revisiting concert life in the mid-century: The survival of acetate discs / Lewis Foreman -- The development of recording technologies / George Brock-Nannestad -- Raiders of the lost archive / Roger Beardsley -- The original cast recording of West Side Story / Nigel Simeone -- The recorded document: Interpretation and discography / Simon Trezise -- One man's approach to remastering / Ted Kendall -- Technology, the studio, music / Nick Mason -- Reminder: A recording is not a performance / Roger Heaton -- Methods for analysing recordings / Nicholas Cook -- Recordings and histories of performance style / Daniel Leech-Wilkinson -- Recreating history: A clarinettist's retrospective / Colin Lawson -- Going critical: Writing about recordings / Simon Frith -- Something in the air / Chris Watson -- Recording: From reproduction to representation to remediation / Georgina Born. (From WorldCat)
Chapter Bergh, Arild; DeNora, Tia (2009) From wind-up to iPod: Techno-cultures of listening. In: The Cambridge companion to recorded music (p. 102).
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Soviel Musik war nie: Von Mozart zum digitalen Sound ; eine musikalische Kulturgeschichte
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(2003)
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(1995)
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(1994)
The audience at home: The early recording industry and the marketing of musical taste
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Zagorski-Thomas, Simon;
(October 2018)
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Zak, Albin, III;
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Bijsterveld, Karin;
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(/isis/citation/CBB001181366/)
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