Altman, Rick (Editor)
Routledge
Physical Details: vi + 291 pp.; ill.
Language: English
Description The material heterogeneity of recorded sound; Theoretical perspectives. Four and a half film fallacies; Sound space / Rick Altman -- Reading, writing, and representing sound / James Lastra -- “She sang live, but the microphone was turned off”: The live, the recorded, and the subject of representation / Steve Wurtzler -- Wasted words / Michel Chion -- Historical speculations. Sound/history / Rick Altman -- Historical and theoretical issues in the coming of recorded sound to the cinema / Alan Williams -- Translating America: The Hollywood multilinguals 1929-1933 / Natasa Durovicová -- 1950s magnetic sound: The frozen revolution / John Belton -- Neglected domains. Sound's dark corners / Rick Altman -- Women's voices in third world cinema / Amy Lawrence -- The sound of early Warner Bros. cartoons / Scott Curtis -- Imagining the sound(s) of Shakespeare: Film sound and adaptation / Mary Pat Klimek -- Conventions of sound in documentary / Jeffrey K. Ruoff -- And then there was sound: The films of Andrei Tarkovsky / Andrea Truppin -- A baker's dozen of new terms for sound analysis / Rick Altman. (Contents from WorldCat)
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