Book Pinch, Trevor; Bijsterveld, Karin (2011) The Oxford handbook of sound studies.
Chapter
Siefert, Marsha;
(1994)
The audience at home: The early recording industry and the marketing of musical taste
(/isis/citation/CBB001181365/)
Chapter
Rosen, Paul;
(1997)
“It was easy, it was cheap, go and do it!” Technology and anarchy in the UK music industry
(/isis/citation/CBB001181347/)
Chapter
Rieger, Matthias;
(2003)
Von der musik zum sound: Wie Helmholtz eine neue aera in der geschichte der musik begründete
(/isis/citation/CBB001181339/)
Chapter
Bergh, Arild;
DeNora, Tia;
(2009)
From wind-up to iPod: Techno-cultures of listening
(/isis/citation/CBB001181220/)
Chapter
Bijsterveld, Karin;
(2002)
Big brother's whisper. Muzak, cultural studies en techniekonderzoek
(/isis/citation/CBB001181107/)
Chapter
Mowitt, John;
(1987)
The sound of music in the era of its electronic reproducibility
(/isis/citation/CBB001181304/)
Chapter
Jones, Steve;
(2011)
Music and the internet
(/isis/citation/CBB001181006/)
Article
Fincham, Jack E.;
(2010)
Marketing of Patent Medicines in the Nineteenth Century via a Corkscrew Medicine Spoon
(/isis/citation/CBB001000209/)
Article
Harald Wixforth;
(2020)
Das Ende eines Automobil-Konzerns – der Borgward-Konkurs und die Bremer Politik (The end of an automobile company – Borgward’s bankruptcy and Bremen politics.)
(/isis/citation/CBB685261681/)
Book
Lamoreaux, Naomi R.;
Sokoloff, Kenneth Lee;
(2007)
Financing Innovation in the United States, 1870 to the Present
(/isis/citation/CBB000774188/)
Article
Hochfelder, David;
Helper, Susan;
(1996)
Suppliers and Product Development in the Early American Automobile Industry
(/isis/citation/CBB001180023/)
Book
Curcio, Vincent;
(2013)
Henry Ford
(/isis/citation/CBB001213247/)
Article
Zagorski-Thomas, Simon;
(October 2018)
Directions in Music by Miles Davis Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew
(/isis/citation/CBB458962931/)
Article
Stephenson, Tim;
(2006)
Poeme electronique by Edgar Varese: Authenticity, reproduction, and mediatization
(/isis/citation/CBB001181377/)
Article
Risset, Jean-Claude;
(2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse
(/isis/citation/CBB001181341/)
Book
Cook, Nicholas;
(2009)
The Cambridge companion to recorded music
(/isis/citation/CBB001181219/)
Article
Levin, Thomas Y.;
(1990)
For the record: Adorno on music in the age of its technological reproducibility
(/isis/citation/CBB001181283/)
Book
Manning, Peter;
(2004)
Electronic and computer music
(/isis/citation/CBB001181290/)
Book
Zak, Albin, III;
(2001)
The poetics of rock: Cutting tracks, making records
(/isis/citation/CBB001181404/)
Article
Pinch, Trevor;
Bijsterveld, Karin;
(2004)
Sound studies: New technologies and music
(/isis/citation/CBB001181327/)
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