Book ID: CBB001180135

Music and technology in the twentieth century (2002)

unapi

Braun, Hans-Joachim (Editor)


Johns Hopkins University Press


Publication Date: 2002
Physical Details: 256 pp.; ill.
Language: English

Description Contents: Keyboards, crankshafts and communication, the musical mindset of western technology / Geoffrey Hindley -- Electronic instruments--classifications and mechanisms / Hugh Davies -- “It all began with a broken organ” -- the role of Yamaha in Japan's music development / Tatsuya Kobayashi -- The social construction of the synthesizer / Trevor Pinch & Frank Trocco -- My soul is in the machine--Conlon Nancarrow--composer for player piano--precursor of computer music / Jürgen Hocker -- Music and the city / Barbara Berthelmes -- “Moving on”--airplanes and locomotives in 20th century music / Hans-Joachim Braun -- A servile imitation--disputes about machines in music, 1910-1930 / Karin Bijsterveld -- From polka to punk -- growth of an independent recording studio, 1934-1977 / Susan Schmidt Horning -- The origins of the 45-rpm record at RCA Victor, 1939-1948 / Alexander B. Magoun -- Tape recording and music making / Andre Millard -- Musicians and the sound revolution--business, labor, and technology in America, 1890-1950 / Jame P. Kraft -- Aesthetics out of exigency, violin vibrato and the phonograph / Mark Katz -- The social reconstruction of a reverse salient in electrical guitar technology--noise, the solid body, and Jimi Hendrix / Rebecca McSwain -- Soundsampling--an aesthetic challenge / Helga de la Motte-Haber -- New technology--new artistic genres--changes in the concept and aesthetics of music / Martha Brech -- Musical education and the new media--the current situation and perspectives for the future / Bernd Enders. (from WorldCat) See:


Includes Chapters

Chapter Horning, Susan Schmidt (2002) From polka to punk: Growth of an independent recording studio, 1934--1977. In: Music and technology in the twentieth century (p. 136). unapi

Chapter Pinch, Trevor (2002) The social construction of the synthesizer. In: Music and technology in the twentieth century (p. 67). unapi

Citation URI
https://data.isiscb.org/isis/citation/CBB001180135/

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Authors & Contributors
Pinch, Trevor
Scholz, Tom
Colgrove, Clinton Allen
Shapiro, Peter
Prieberg, Fred K.
Prendergast, Mark J.
Concepts
Music, electronic
Technology and music
Musical instruments
Music
Sound studies
Sound Recording Industry
Time Periods
20th century
21st century
20th century, late
19th century
Places
United States
Japan
Germany
Soviet Union
Institutions
Stanford University. Center for Computer Research in Music and Acoustics
Boston (band)
Stanford University
Massachusetts Institute of Technology, MIT
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