Braun, Hans-Joachim (Editor)
Description Contents: Keyboards, crankshafts and communication, the musical mindset of western technology / Geoffrey Hindley -- Electronic instruments--classifications and mechanisms / Hugh Davies -- “It all began with a broken organ” -- the role of Yamaha in Japan's music development / Tatsuya Kobayashi -- The social construction of the synthesizer / Trevor Pinch & Frank Trocco -- My soul is in the machine--Conlon Nancarrow--composer for player piano--precursor of computer music / Jürgen Hocker -- Music and the city / Barbara Berthelmes -- “Moving on”--airplanes and locomotives in 20th century music / Hans-Joachim Braun -- A servile imitation--disputes about machines in music, 1910-1930 / Karin Bijsterveld -- From polka to punk -- growth of an independent recording studio, 1934-1977 / Susan Schmidt Horning -- The origins of the 45-rpm record at RCA Victor, 1939-1948 / Alexander B. Magoun -- Tape recording and music making / Andre Millard -- Musicians and the sound revolution--business, labor, and technology in America, 1890-1950 / Jame P. Kraft -- Aesthetics out of exigency, violin vibrato and the phonograph / Mark Katz -- The social reconstruction of a reverse salient in electrical guitar technology--noise, the solid body, and Jimi Hendrix / Rebecca McSwain -- Soundsampling--an aesthetic challenge / Helga de la Motte-Haber -- New technology--new artistic genres--changes in the concept and aesthetics of music / Martha Brech -- Musical education and the new media--the current situation and perspectives for the future / Bernd Enders. (from WorldCat) See:
Chapter Horning, Susan Schmidt (2002) From polka to punk: Growth of an independent recording studio, 1934--1977. In: Music and technology in the twentieth century (p. 136).
Chapter Pinch, Trevor (2002) The social construction of the synthesizer. In: Music and technology in the twentieth century (p. 67).
Book
Millard, A. J.;
(2004)
The electric guitar: A history of an American icon
(/isis/citation/CBB001180133/)
Book
Sinnreich, Aram;
(2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture
(/isis/citation/CBB001035566/)
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Andrew J. Nelson;
(2015)
The Sound of Innovation: Stanford and the Computer Music Revolution
(/isis/citation/CBB097059323/)
Thesis
Clinton Allen Colgrove;
(2020)
Schools of Empires: The Role of Higher Education and Colonization in the American West and Japan
(/isis/citation/CBB533163507/)
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Morton, David L.;
(2004)
Sound Recording: The Life Story of a Technology
(/isis/citation/CBB000700921/)
Article
Lopes, Paul;
(1992)
Innovation and diversity in the popular music industry, 1969 to 1990
(/isis/citation/CBB001181286/)
Book
Glinsky, Albert;
(2000)
Theremin: Ether music and espionage
(/isis/citation/CBB001181240/)
Article
Böhlandt, Marco;
(2008)
“Kontakte” -- Reflexionen naturwissenschaftlich-technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952--1960)
(/isis/citation/CBB000930031/)
Book
Shapiro, Peter;
Lee, Iara;
(2000)
Modulations: A history of electronic music: Throbbing words on sound
(/isis/citation/CBB001181363/)
Chapter
Durant, Alan;
(1990)
A new day for music? Digital technologies in contemporary music-making
(/isis/citation/CBB001181227/)
Chapter
Mowitt, John;
(1987)
The sound of music in the era of its electronic reproducibility
(/isis/citation/CBB001181304/)
Book
Prieberg, Fred K.;
(1960)
Musica ex machina; über das Verhältnis von Musik und Technik
(/isis/citation/CBB001181334/)
Book
Daniel Warner;
(2017)
Live Wires: A History of Electronic Music
(/isis/citation/CBB353866426/)
Article
Scholz, Tom;
(Spring 2016)
An Interview with . . . Tom Scholz
(/isis/citation/CBB500872908/)
Chapter
Pinch, Trevor;
(2006)
Voices in the electronic music synthesizer: An essay in honor of Don Ihde
(/isis/citation/CBB001181329/)
Article
Laudadio, Nicholas C.;
(2011)
“Sounds Like a Human Performance”: The Electronic Music Synthesizer in Mid-Twentieth-Century Science Fiction
(/isis/citation/CBB001034751/)
Book
Prendergast, Mark J.;
(2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age
(/isis/citation/CBB001181333/)
Article
Gay, Leslie C.;
(1998)
Acting up, talking tech: New York rock musicians and their metaphors of technology
(/isis/citation/CBB001181237/)
Chapter
Pinch, Trevor;
(2002)
The social construction of the synthesizer
(/isis/citation/CBB001181326/)
Article
Pinch, Trevor;
Trocco, Frank;
(1999)
The social construction of the early electronic music synthesizer
(/isis/citation/CBB001181321/)
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