Millard, A. J. (Editor)
Description Contents: The music: The electric guitar in the American century / Charles McGovern -- Inventing the electric guitar / André Millard -- Manufacturing: Expansion, consolidation, and decline / James P. Kraft -- Solidbody: Electric guitars / André Millard -- Recording: The search for the sound / Susan Schmidt-Horning -- Playing with power: Technology, modernity and the electric guitar / André Millard -- The guitar hero / André Millard, after the collaborative paper with Rebecca McSwain -- Heavy metal: From guitar heroes to guitar gods / André Millard, after the collaborative paper with Rebecca McSwain -- Women guitarists: Gender issues in alternative rock / John Strohm. (from WordCat) See:
Chapter Horning, Susan Schmidt (2004) Recording: The search for sound. In: The electric guitar: A history of an American icon (p. 105).
Book
Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
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Book
Braun, Hans-Joachim;
(2002)
Music and technology in the twentieth century
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Chapter
Durant, Alan;
(1990)
A new day for music? Digital technologies in contemporary music-making
(/isis/citation/CBB001181227/)
Book
Glinsky, Albert;
(2000)
Theremin: Ether music and espionage
(/isis/citation/CBB001181240/)
Article
Pinch, Trevor;
Trocco, Frank;
(1999)
The social construction of the early electronic music synthesizer
(/isis/citation/CBB001181321/)
Chapter
Pinch, Trevor;
(2002)
The social construction of the synthesizer
(/isis/citation/CBB001181326/)
Book
Daniel Warner;
(2017)
Live Wires: A History of Electronic Music
(/isis/citation/CBB353866426/)
Book
Prieberg, Fred K.;
(1960)
Musica ex machina; über das Verhältnis von Musik und Technik
(/isis/citation/CBB001181334/)
Chapter
Pinch, Trevor;
(2006)
Voices in the electronic music synthesizer: An essay in honor of Don Ihde
(/isis/citation/CBB001181329/)
Article
Laudadio, Nicholas C.;
(2011)
“Sounds Like a Human Performance”: The Electronic Music Synthesizer in Mid-Twentieth-Century Science Fiction
(/isis/citation/CBB001034751/)
Chapter
Braun, Hans-Joachim;
(2009)
Pulled out of thin air? The revival of the theremin
(/isis/citation/CBB001181184/)
Book
Sinnreich, Aram;
(2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture
(/isis/citation/CBB001035566/)
Book
Andrew J. Nelson;
(2015)
The Sound of Innovation: Stanford and the Computer Music Revolution
(/isis/citation/CBB097059323/)
Book
Kelly, Caleb;
(2009)
Cracked media: The sound of malfunction
(/isis/citation/CBB001181265/)
Article
Roads, Curtis;
(1996)
Early electronic music instruments: Time line 1899--1950
(/isis/citation/CBB001181342/)
Article
Manning, Peter;
(2003)
The influence of recording technologies on the early development of electroacoustic music
(/isis/citation/CBB001181289/)
Book
Millard, André J.;
(2004)
The Electric Guitar: A History of An American Icon
(/isis/citation/CBB000520070/)
Book
Engel, Friedrich;
Kuper, Gerhard;
Bell, Frank;
Polzer, Joachim;
(2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
(/isis/citation/CBB001181229/)
Chapter
Pinch, Trevor;
(2001)
Why you go to a piano store to buy a synthesizer: Path dependence and the social construction of technology
(/isis/citation/CBB001181325/)
Article
Pennycook, Bruce;
(1997)
Live electroacoustic music: Old problems, new solutions
(/isis/citation/CBB001181319/)
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