IsisCB Explore

Article ID: CBB001033821

Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata (2011)

Hui, A. E. (Author)

Annals of Science: The History of Science and Technology
Volume: 68
Pages: 149--177

Outside Links

WorldCat

Google Scholar

JSTOR

Academia.edu

Music Science and music Music theory Auditory perception Science and culture Musical instruments Human physiology Senses and sensation; perception 19th century Helmholtz, Hermann Ludwig Ferdinand von

Description On Helmholtz's reconciliation of “his physiological theory of sound sensation and his belief that musical aesthetics were historically and culturally contingent.” (from the abstract)

Citation URI

https://data.isiscb.org/isis/citation/CBB001033821/

Citations Indexes

Similar Citations

Chapter Zanarini, Gianni; (2001)
Hermann von Helmholtz and Ernst Mach on Musical Consonance (/isis/citation/CBB000102702/)

Book Dillon, Emma; (2012)
The Sense of Sound: Musical Meanings in France, 1260--1330 (/isis/citation/CBB001201434/)

Article Klotz, Sebastian; (2008)
Tonpsychologie und Musikforschung als Katalysatoren wissenschaftlich-experimenteller Praxis und der Methodenlehre im Kreis von Carl Stumpf (/isis/citation/CBB000930029/)

Article Kursell, Julia; (2013)
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie (/isis/citation/CBB001320389/)

Thesis Steege, Benjamin Adam; (2007)
Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality (/isis/citation/CBB001560571/)

Article Kursell, Julia; (2008)
Hermann von Helmholtz und Carl Stumpf über Konsonanz und Dissonanz (/isis/citation/CBB000930026/)

Article Pesic, Peter; (2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space” (/isis/citation/CBB001320409/)

Book Elders, Willem; (2013)
Josquin des Prez and His Musical Legacy: An Introductory Guide (/isis/citation/CBB001201730/)

Article Pantalony, David; (2005)
Rudolph Koenig's Workshop of Sound: Instruments, Theories, and the Debate over Combination Tones (/isis/citation/CBB000500117/)

Chapter Flora Willson; (2017)
Hearing Things: Musical Objects at the 1851 Great Exhibition (/isis/citation/CBB406736948/)

Book Patrizio Barbieri; (2023)
Tuning and Temperament: Practice vs Science. 1450-2020 (/isis/citation/CBB826943267/)

Book Pantalony, David; (2009)
Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris (/isis/citation/CBB001023263/)

Article Schmidt, Michael J.; (2014)
Visual Music: Jazz, Synaesthesia and the History of the Senses in the Weimar Republic (/isis/citation/CBB001201425/)

Book Hui, Alexandra; (2013)
The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840--1910 (/isis/citation/CBB001214629/)

Article Rieger, Matthias; (2008)
Unterscheidung und Synthese: Rezeptionsformen akustischer Forschung in der Musikliteratur des 19. Jahrhunderts (/isis/citation/CBB000930028/)

Article Julia Kursell; (2018)
Alexander Ellis’s Translation of Helmholtz’s Sensations of Tone (/isis/citation/CBB556710785/)

Book Campen, Crétien van; (2008)
The Hidden Sense: Synesthesia in Art and Science (/isis/citation/CBB001035708/)

Article Welsh, Caroline; (2008)
Nerven-Saiten-Stimmung. Zum Wandel einer Denkfigur zwischen Musik und Wissenschaft 1750--1850 (/isis/citation/CBB000930025/)

Article Herrgott, Gerhard; (2008)
Die Kunst des Anschlags. Elisabeth Caland und die Physio-Ästhetik des Klavierspiels (/isis/citation/CBB000930027/)

Article Clifford J. Cunningham; Barbara Bacik Case; (2021)
The Seven Sisters: a Pleiades cantata (/isis/citation/CBB437661567/)

Comments

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}