Article ID: CBB001023869

Proporción y armonía en el Ayante de Sófocles y el Partenón: matemáticas y creación artística a mediados del s. V (2006)

unapi

Hernán, Pilar (Author)


Estudios Clásicos, Órgano de la Sociedad Española de Estudios Clásicos
Volume: 48
Pages: 79--94


Publication Date: 2006
Edition Details: Part of a special issue, “Ciencia y Tecnología en el mundo antiguo”

We can confirm the Burket' thinking in the Ajax'Sophocles. If we looked at the verses' numbers in the tragedy, we could identify mathematical relationships: Fibonacci numbers build a bridge structure or aba, which is repeating itself until the end of the drama. Aja2 structure has an ABA shape, tripartite and circular, which follows the golden section. The hero's death is the point 9. In the Parthenon, which started to be build when theAjax'Sophocles was probably represented, with the Berger'module -similar of the Bulckens (1999)- we can see geometric figures in the temple' plan that delimit important parts of it and speak of proportions and harmony of a structure of three parts to another of two.

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Article Ezquerra, Antonio Alvar (2006) Presentación. Estudios Clásicos, Órgano de la Sociedad Española de Estudios Clásicos (p. 9). unapi

Citation URI
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Authors & Contributors
Mendell, Henry R.
Duke, Dennis W.
Wayne F. Lorenz
Zaytsev, Evgeny
Phillip J. Wolfram
Michael J. Ostwald
Journals
Archive for History of Exact Sciences
Science in Context
Physis: Rivista Internazionale di Storia della Scienza
Kwartalnik Historii Nauki i Techniki
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McGill University (Canada)
Museum Tusculanum Press
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de Gruyter
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Concepts
Mathematics
Geometry
Ratio and proportion
Architecture
Trigonometry
Arithmetic
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Euclid
Plato
Eudoxus of Cnidos
Aristotle
Apollonius, of Perga
Theaetetus of Athens
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Ancient
Renaissance
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16th century
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Mesopotamia
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