Article ID: CBB000933292

À propos du Manuscrit D “Dell'occhio” de Léonard de Vinci (2009)

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Leonardo da Vinci's Manuscript D consists of five double pages sheets, which, folded in two, comprise ten folios. This document, in the old Tuscan dialect and mirror writing, reveals the ideas of Leonardo on the anatomy of the eye in relation to the formation of images and visual perception. Leonardo explains in particular the behavior of the rays in the eye in terms of refraction and reflection, and is very mechanistic in his conception of the eye and of the visual process. The most significant innovations found in these folios are the concept of the eye as a camera obscura and the intersection of light rays in the interior of the eye. His texts nevertheless show hesitation, doubts and a troubled confusion, reflecting the ideas and uncertainties of his era. He did not share his results in his lifetime, despite both printing and etching being readily available to him.

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Description On the anatomy of the eye in relation to the formation of images and visual perception.


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Authors & Contributors
Raynaud, Dominique
Piro, Rosa
Gatta, Massimo
Thomas Kreft
Quaglino, Margherita
Klaus F. Steinsiepe
Journals
Mefisto: Rivista di medicina, filosofia, storia
Sudhoffs Archiv: Zeitschrift fuer Wissenschaftsgeschichte
Quaderni di Storia della Fisica
Vesalius
Notes and Records: The Royal Society Journal of the History of Science
Nature
Publishers
Olschki
Metropolitan Museum of Art
Carocci Editore
Aracne
New York, City University of
Concepts
Human anatomy
Optics
Manuscripts
Visual perception
Science and art
Anatomy
People
Leonardo da Vinci
Michelangelo Buonarroti
Regiomontanus
Raffael
Ptolemy
Ibn al-Haytham, Abū ʿAlī al-Ḥasan
Time Periods
Renaissance
15th century
16th century
Early modern
14th century
Places
Italy
Europe
Milan (Italy)
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