Wildlife literature, photography, and film on Africa have long been popular in Western countries and beyond. Academic literature on visual representations of Africa discusses how the camera has colonized and possessed African people, nature, and places. Both James Ryan and Paul Landau have developed Susan Sontag's analogy of shooting with camera and rifle, comparing the power dynamics at work. Our aim is to expand interpretations of media on African wildlife, and to understand them in the context of more complex and changing power relationships rather than to focus simply on their imperial and neocolonial dimensions. Visual images included universalist ideas and approaches that in part grew out of scientific concerns. Literature and film found resonance with popular audiences and helped to shape new attitudes and approaches to animals. We suggest that these media representations were a significant, and neglected, element of modern environmentalism. They were generated in Africa and celebratory of its animals and landscape---and sometimes of its people. This was a new aesthetic arising from a Western vision but powerfully influenced by locations, animals, and people in Africa.
...More
Article
Hudson, Dale;
(2013)
“Of Course There Are Werewolves and Vampires”: True Blood and the Right to Rights for Other Species
(/isis/citation/CBB001201821/)
Article
Terzian, Sevan G.;
Grunzke, Andrew L.;
(2007)
Scrambled Eggheads: Ambivalent Representations of Scientists in Six Hollywood Film Comedies from 1961 to 1965
(/isis/citation/CBB000830317/)
Book
Ellen C. Scott;
(2014)
Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era
(/isis/citation/CBB195877199/)
Book
Scott Curtis;
(2015)
The Shape of Spectatorship: Art, Science, and Early Cinema in Germany
(/isis/citation/CBB922684697/)
Chapter
Gunning, Tom;
(2004)
In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film
(/isis/citation/CBB000550995/)
Article
Aubert, Geneviève;
(2002)
From Photography to Cinematography: Recording Movement and Gait in a Neurological Context
(/isis/citation/CBB000340362/)
Thesis
Gaycken, Oliver Alexander;
(2005)
Devices of Curiosity: Cinema and the Scientific Vernacular
(/isis/citation/CBB001561889/)
Article
Jan Domaradzki;
(2023)
From evil demiurge to caring hero: images of geneticists in the movies
(/isis/citation/CBB948371310/)
Book
Willumson, Glenn;
(2013)
Iron Muse: Photographing the Transcontinental Railroad
(/isis/citation/CBB001320948/)
Thesis
Kahle, Shannon A.;
(2010)
Visualizing the Chaotic Body in Popular Culture
(/isis/citation/CBB001567170/)
Book
Anthony F. Arrigo;
(2014)
Imaging Hoover Dam: the Making of a Cultural Icon
(/isis/citation/CBB752609542/)
Book
Beegan, Gerry;
(2007)
The Mass Image. A Social History of Photomechanical Reproduction in Victorian London
(/isis/citation/CBB001201134/)
Article
Jesse Olszynko-Gryn;
(2016)
Film Lessons: Early Cinema for Historians of Science*
(/isis/citation/CBB096785803/)
Article
Brodesco, Alberto;
(2011)
I've Got You under My Skin: Narratives of the Inner Body in Cinema and Television
(/isis/citation/CBB001024830/)
Article
Bousé, Derek;
(2003)
Letter to the Editor
(/isis/citation/CBB000410788/)
Thesis
D'Amico, Lisa Nicole;
(2013)
Ecopornography and the Commodification of Extinction: The Rhetoric of Natural History Filmmaking, 1895-Present
(/isis/citation/CBB001567505/)
Chapter
McAleer, John;
(2012)
The Case of Thomas Baines, Curator-Explorer Extraordinaire, and the Display of Africa in Nineteenth-Century Norfolk
(/isis/citation/CBB001201465/)
Book
Thomas Stubblefield;
(2015)
9/11 and the Visual Culture of Disaster
(/isis/citation/CBB335939933/)
Book
Rachel Mundy;
(2018)
Animal Musicalities: Birds, Beasts, and Evolutionary Listening
(/isis/citation/CBB252246829/)
Book
Burt, Jonathan;
(2006)
Rat
(/isis/citation/CBB000850480/)
Be the first to comment!