Michelangelo's major interest was the Life of the Soul as expressed in the beautiful structure and movement of the human body, which he often called the "mortal veil" of the divine intentions. This study ascertains Michelangelo's interest in and acquisition of the knowledge of human anatomy, the use of small anatomical models to crystallize his concepts into reality and the application of anatomy to his art. Relatively little is known of this interaction between anatomy and art in Michelangelo's life and work.
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Christian K. Kleinbub;
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Michelangelo’s Inner Anatomies
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Laurenza, Domenico;
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Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution
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Rosa Piro;
(2019)
Glossario Leonardiano: Nomenclatura dell'anatomia nei disegni della Collezione Reale di Windsor
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Clayton, Martin;
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Medicine: Leonardo's Anatomy Years
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Hub, Berthold;
(2008)
Material Gazes and Flying Images in Marsilio Ficino and Michelangelo
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Thesis
Bird, Jennifer;
(2007)
Curiosity and the Ideal: Anatomical Investigation and the Gendered Imagination in Sixteenth-Century Florentine Art
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Paola Salvi;
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Da Leonardo da Vinci a Bernardino Genga. I trattati per i “curatori delle ferite” e gli “statuari e pittori”
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Laurenza, Domenico;
(2001)
De figura umana: fisiognomica, anatomia e arte in Leonardo
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Kerwin, William;
(2005)
Beyond the Body: The Boundaries of Medicine and English RenaissanceDrama
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Schwarte, Ludger;
(2008)
The Anatomy of the Brain as Instrumentalization of Reason
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Schleiner, Winfried;
(2000)
Early Modern Controversies about the One-Sex Model
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Hilloowala, Rumy;
(2004)
Leonardo da Vinci, Visual Perspective and the Crystalline Sphere (Lens): If Only Leonardo Had Had a Freezer
(/isis/citation/CBB000932433/)
Article
Ginn, Sheryl R.;
Lorusso, Lorenzo;
(2008)
Brain, Mind, and Body: Interactions with Art in Renaissance Italy
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Giuseppe Olmi;
Giuseppe Papagno;
(2006)
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Chapter
Laura Speranza;
(2019)
Cellini, Giambologna, Zumbo and their Works in Ceroplastics. The long Experience of the Opificio delle Pietre Dure in Florence between Methodology and Experimentation
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Chapter
Pietro Conte;
(2019)
Waxworks Unframed
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Chapter
Eleanor Crook;
(2019)
The Immortality of Wax. The magic of a volatile medium
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Chapter
Marco Betti;
(2019)
No Mere Teaching Tools: Wax Sculpture in Tuscany from the Medici through the Early Lorraine Dynasties
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Gianfranco Natale;
(2020)
L’anatomia geografica di Leonardo da Vinci
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Book
Roberta Ballestriero;
Owen Burke;
Francesco Galassi;
(2019)
Ceroplastics: The Art of Wax
(/isis/citation/CBB828682939/)
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