“Kontakte” -- Reflexionen naturwissenschaftlich-technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952--1960) (2008)
Böhlandt, Marco (Author)
Berichte zur Wissenschaftsgeschichte
Volume: 31
Pages: 226--248
Edition Details: Part of a special issue: Science and Music
Language: German
Kontakte - Reflections of Innovative Processes in Science and Technology in Karlheinz Stockhausen's Early Electronic Music (1952-1960). The following article will give an overview of the interdependence of aesthetic and scientific/technical developments in German composer Karlheinz Kontakte - Reflections of Innovative Processes in Science and Technology in Karlheinz Stockhausen's Early Electronic Music (1952-1960). The following article will give an overview of the interdependence of aesthetic and scientific/technical developments in German composer Karlheinz Stockhausen's early works of electronic music. It is an outline of the major steps in his artistic evolution between the works Etude (Musique concrète) and Kontakte, their relation to innovations in psychoacoustic and sound-studio technology as well as the impact, that the works from that period had on the fundamental changes in musical aesthetics during the course of the 20th century.'s early works of electronic music. It is an outline of the major steps in his artistic evolution between the works Etude (Musique concrète) and Kontakte, their relation to innovations in psychoacoustic and sound-studio technology as well as the impact, that the works from that period had on the fundamental changes in musical aesthetics during the course of the 20th century.
...MoreDescription On the German composer Karlheinz Stockhausen, early electronic music, changing technology, and their bearing on changing aesthetics in music during the 20th century.
Article Ash, Mitchell G. (2008) Wissenschaft und Musik -- Einführende Bemerkungen. Berichte zur Wissenschaftsgeschichte (p. 87).
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