Rieger, Matthias (Author)
Differentiation and synthesis. Forms of reception of acoustical research in the musical literature of the nineteenth century. In the nineteenth century, both musical scholars and natural scientists discussed the relevance of acoustical research for the theory and practice of music. Whereas some musical theorists and acousticians plead together for an acoustical foundation of musical theory, other scholars questioned the significance of physical and physiological knowledge for a deeper understanding of music. Based on an analysis of musical journals, popular scientific writings, theoretical treatises and musical dictionaries this article demonstrates how musical scholars and natural scientists argued about the question which discipline should have the final say about musical concepts and terminologies. To merge both heterogeneous spheres - music and acoustics - or to carefully distinguish between them - these two positions shaped the dispute over the relationship between music and natural sciences in the nineteenth century.
...MoreDescription “Musical scholars and natural scientists argued about the question which discipline should have the final say about musical concepts and terminologies.” (from the abstract)
Article Ash, Mitchell G. (2008) Wissenschaft und Musik -- Einführende Bemerkungen. Berichte zur Wissenschaftsgeschichte (p. 87).
Article
Klotz, Sebastian;
(2008)
Tonpsychologie und Musikforschung als Katalysatoren wissenschaftlich-experimenteller Praxis und der Methodenlehre im Kreis von Carl Stumpf
(/isis/citation/CBB000930029/)
Article
BaldisseraPacchetti, Marina;
(2014)
Turning Music into Sound: Vincenzo Galilei's Contributions to the History of Acoustics
(/isis/citation/CBB001201082/)
Article
Wright, M. C. M.;
(2006)
A Short History of Bad Acoustics
(/isis/citation/CBB001320912/)
Article
Hui, A. E.;
(2011)
Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata
(/isis/citation/CBB001033821/)
Book
Pantalony, David;
(2009)
Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris
(/isis/citation/CBB001023263/)
Book
Patrizio Barbieri;
(2023)
Tuning and Temperament: Practice vs Science. 1450-2020
(/isis/citation/CBB826943267/)
Book
Horning, Susan Schmidt;
(2013)
Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP
(/isis/citation/CBB001213164/)
Article
Kursell, Julia;
(2013)
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie
(/isis/citation/CBB001320389/)
Article
Liu, Yaya;
(2014)
Research of Zhu Zaiyü’s Twelve-Tone Equal Temperament: Toward a Synthesis of Geometry, Arithmetic, Temperament and Physical acoustics
(/isis/citation/CBB582385656/)
Article
Wilson, Preston S.;
Dolder, Craig N.;
Roy, Ronald A.;
Pierce, Allan D.;
(2014)
From Wood to Carey to Mallock: A Review of Bill Carey's Work Associated with the Mallock-Wood Equation and the Acoustics of Bubbly Liquids and Gas-Bearing Sediments
(/isis/citation/CBB001201084/)
Book
Elders, Willem;
(2013)
Josquin des Prez and His Musical Legacy: An Introductory Guide
(/isis/citation/CBB001201730/)
Book
Pangrazi, Tiziana;
(2009)
La Musurgia Universalis di Athanasius Kircher: Contenuti, fonti, terminologia
(/isis/citation/CBB001024859/)
Book
Dillon, Emma;
(2012)
The Sense of Sound: Musical Meanings in France, 1260--1330
(/isis/citation/CBB001201434/)
Book
Assayag, Gérard;
Feichtinger, Hans Georg;
Rodrigues, José Francisco;
(2002)
Mathematics and Music: A Diderot Mathematical Forum
(/isis/citation/CBB000330004/)
Thesis
Bianchi, Eric;
(2011)
Prodigious Sounds: Music and Learning in the World of Athanasius Kircher
(/isis/citation/CBB001567278/)
Article
Petraki, Zacharoula A.;
(2008)
The Soul “Dances”: Psychomusicology in Plato's Republic
(/isis/citation/CBB001021131/)
Book
Fabbri, Natacha;
(2008)
De l'utilité de l'harmonie: filosofia, scienza e musica in Mersenne, Descartes e Galileo
(/isis/citation/CBB001450828/)
Book
Cesare Beltrami;
John M. Chowning;
(2020)
Il suono da Giuseppe Tartini a John M. Chowning
(/isis/citation/CBB918557123/)
Chapter
Berns, Jörg Jochen;
(2008)
Instrumental Sound and Ruling Spaces of Resonance in the Early Modern Period: On the Acoustic Setting of the Princely potestas Claims within a Ceremonial Frame
(/isis/citation/CBB000831255/)
Article
Bromberg, Carla;
Alfonso-Goldfarb, Ana Maria;
(2009)
Vincenzo Galilei and Music: Some Socio-Cultural and Acoustical Discussions
(/isis/citation/CBB000932132/)
Be the first to comment!