Ash, Mitchell G. (Author)
Science and music. Introductory remarks. The article presents a brief introduction to Science and Music, theme of the 44th symposium of the Society for History of Sciences held in Munich in Mai 2007. The text begins with a brief reference to the numerous biographical connections between the two fields, but focuses primarily on topics that reveal music and the sciences to be results of shared cultural practices. Examples include: (1) shared objects in the material sense, meaning the use of particular instruments in both music and the sciences; (2) shared semantics, metaphors, and concepts, for example the use of the concepts like clang or tone color in acoustics and the psychology of audition, or talk of mood and harmony in both music and in literature; (3) direct interactions between mathematics, physics and music, for example in the electronic music of the twentieth century.
...MoreDescription Remarks on a symposium that sees science and music as sharing certain cultural practices. Contents:
Article Jackson, Myles W. (2008) Music and Physics: A Cultural, Interdisciplinary History. Berichte zur Wissenschaftsgeschichte (p. 94).
Article Welsh, Caroline (2008) Nerven-Saiten-Stimmung. Zum Wandel einer Denkfigur zwischen Musik und Wissenschaft 1750--1850. Berichte zur Wissenschaftsgeschichte (p. 113).
Article Kursell, Julia (2008) Hermann von Helmholtz und Carl Stumpf über Konsonanz und Dissonanz. Berichte zur Wissenschaftsgeschichte (p. 130).
Article Herrgott, Gerhard (2008) Die Kunst des Anschlags. Elisabeth Caland und die Physio-Ästhetik des Klavierspiels. Berichte zur Wissenschaftsgeschichte (p. 144).
Article Rieger, Matthias (2008) Unterscheidung und Synthese: Rezeptionsformen akustischer Forschung in der Musikliteratur des 19. Jahrhunderts. Berichte zur Wissenschaftsgeschichte (p. 181).
Article Klotz, Sebastian (2008) Tonpsychologie und Musikforschung als Katalysatoren wissenschaftlich-experimenteller Praxis und der Methodenlehre im Kreis von Carl Stumpf. Berichte zur Wissenschaftsgeschichte (p. 195).
Article Braun, Hans-Joachim; Ungeheuer, Elena (2008) Formt die Technik die Musik? Montageästhetik zu Beginn des 20. Jahrhunderts. Berichte zur Wissenschaftsgeschichte (p. 211).
Article Böhlandt, Marco (2008) “Kontakte” -- Reflexionen naturwissenschaftlich-technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952--1960). Berichte zur Wissenschaftsgeschichte (p. 226).
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Giulia Vannoni;
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Rieger, Matthias;
(2008)
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Kassler, Jamie Croy;
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Patrizio Barbieri;
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