The paper describes the author's witnessing of images projected from an eighteenth-century solar microscope made by John Dollond, now at the Deutsches Museum in Munich. Peter Heering facilitated this session as part of his research on the solar microscope. A rectangular mirror, the length of a hand, mounted outside a museum window caught the sunlight and directed it indoors into the microscope's optical tube with its specimen. Astonishing detail was displayed in the resulting image projected onto a screen at human height. Crisply delineated scales patterned the image cast by a historical specimen of a butterfly wing. Observers interacted fluidly with these images in the very dark room. In sharing what we noticed, questioned and conjectured, we contributed to a temporary community. These participant interactions relate to Steven Shapin and Simon Schaffer's notion that, in the seventeenth century, Robert Boyle used witnessing as a `collective act'. Here, the `collective act' spanned participation across history. For example, Robert Hooke's 1665 Micrographia inspired Philip and Phylis Morrison's workshop during my college years and their collaboration with the Eames Office on a film depicting travel through `powers of ten', based on Kees Boeke's 1957 picture book. Personal memories were extended and informed by historical experiences, both for Robert Hooke's subsequent interpreters and for Peter Heering's participants.
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