Article ID: CBB000830317

Scrambled Eggheads: Ambivalent Representations of Scientists in Six Hollywood Film Comedies from 1961 to 1965 (2007)

unapi

The American public's longstanding preference for intelligence over intellect informed ambivalent portrayals of American scientists in the postwar era. This essay considers how six popular Hollywood films from a largely neglected genre---comedy---projected ambivalent images of scientists from 1961 to 1965. It argues that scientists were often respected for their intelligence, but were mocked or even feared for their intellect. In the comedic subgenres of the family film and slapstick, scientists who were safely contained at institutions of higher education committed merely social transgressions and became objects of mockery. In the political satire of Dr. Strangelove, however, the direct threat of nuclear annihilation cast the scientist as an object of fear and a real threat to the security of the nation. This discussion of popular comedies thus accounts for an under-studied cultural barometer and powerful medium in the popularization of science.

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Authors & Contributors
Ellen C. Scott
Domaradzki, Jan
Kahle, Shannon A.
Wiesenfeldt, Gerhard
Von Burg, Ron
Tsutsui, William M.
Journals
Environmental History
Science as Culture
Public Understanding of Science
Physics in Perspective
Nuncius: Annali di Storia della Scienza
Hyle
Publishers
University of Wisconsin at Milwaukee
University of California Press
Rutgers University Press
Ohio University Press
Columbia University Press
University of Pittsburgh
Concepts
Motion pictures; cinema; movies
Popular culture
Visual representation; visual communication
Scientists
Human body
Science fiction
People
Galilei, Galileo
Ellul, Jacques
Carrel, Alexis
Time Periods
20th century, late
20th century, early
20th century
21st century
19th century
Places
United States
Southern states (U.S.)
Germany
Africa
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