Article ID: CBB000671010

Theodor Lipps and the Shift from “Sympathy” to “Empathy” (2005)

unapi

In the course of extensive philosophical debates on aesthetics in nineteenth-century Germany, Robert Vischer introduced the concept of Einfühlung in relation to art. Theodor Lipps subsequently extended it from art to visual illusions and interpersonal understanding. While Lipps had regarded Einfühlung as basically similar to the old notion of sympathy, Edward Titchener in America believed it had a different meaning. Hence, he coined the term empathy as its translation. This term came to be increasingly widely adopted, first in psychology and then more generally. But the lack of agreement about the supposed difference between these concepts suggests that Lipps had probably been right.

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Authors & Contributors
Vollgraff, Matthew H.
Marcellos, Cintia Fernandes
Benjamin Morgan
Forrester, Stefan
Napolitani, Maddalena
Newman, Winifred Elysse
Journals
Journal of the History of the Behavioral Sciences
Storia e Critica della Psicologia
Russian Review
Psychoanalytic Quarterly
International Studies in the Philosophy of Science
History of Psychology
Publishers
Princeton University
Process Press Ltd
Matthes & Seitz
University of Washington Press
University of Rochester Press
University of Chicago Press
Concepts
Aesthetics
Science and art
Psychology
Philosophy
Senses and sensation; perception
Physiology
People
Titchener, Edward Bradford
Wundt, Wilhelm Max
Sage, Balthazar-Georges
Dewey, John
Lipps, Theodor
Lee, Vernon
Time Periods
19th century
20th century, early
20th century
18th century
21st century
Places
Germany
France
England
Americas
Russia
Europe
Institutions
École Royale des Mines
Oxford University
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