Pinch, Trevor J. (Author)
Bijsterveld, Karin (Author)
Description Contents:
Article Waksman, Steve (2004) California Noise: Tinkering with Hardcore and Heavy Metal in Southern California. Social Studies of Science (pp. 675-702).
Article Porcello, Thomas (2004) Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers. Social Studies of Science (pp. 733-758).
Article Théberge, Paul (2004) The Network Studio: Historical and Technological Paths to a New Ideal in Music Making. Social Studies of Science (pp. 759-781).
Article Perlman, Marc (2004) Golden Ears and Meter Readers: The Contest for Epistemic Authority in Audiophilia. Social Studies of Science (p. 783).
Article Bijsterveld, Karin; Schulp, Marten (2004) Breaking into a World of Perfection: Innovation in Today's Classical Musical Instruments. Social Studies of Science (pp. 649-674).
Article Schmidt Horning, Susan (2004) Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound. Social Studies of Science (p. 703).
Book
Millard, André J.;
(2004)
The Electric Guitar: A History of An American Icon
(/isis/citation/CBB000520070/)
Book
Pinch, Trevor J.;
Trocco, Frank;
(2002)
Analog Days: The Invention and Impact of the Moog Synthesizer
(/isis/citation/CBB000301532/)
Book
Engel, Friedrich;
Kuper, Gerhard;
Bell, Frank;
Polzer, Joachim;
(2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion
(/isis/citation/CBB001181229/)
Article
Katz, Mark;
(2001)
Hindemith, toch, and grammophonmusik
(/isis/citation/CBB001181262/)
Book
Kelly, Caleb;
(2009)
Cracked media: The sound of malfunction
(/isis/citation/CBB001181265/)
Article
Manning, Peter;
(2003)
The influence of recording technologies on the early development of electroacoustic music
(/isis/citation/CBB001181289/)
Book
Théberge, Paul;
(1997)
Any sound you can imagine: Making music/consuming technology
(/isis/citation/CBB001181388/)
Book
Waksman, Steve;
(1999)
Instruments of desire: The electric guitar and the shaping of musical experience
(/isis/citation/CBB001181395/)
Article
Pennycook, Bruce;
(1997)
Live electroacoustic music: Old problems, new solutions
(/isis/citation/CBB001181319/)
Book
Ord-Hume, Arthur W. J. G.;
(1973)
Clockwork music: An illustrated history of mechanical musical instruments from the musical box to the pianola, from automaton lady virginal players to orchestrion
(/isis/citation/CBB001181312/)
Book
Thor Magnusson;
(2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions
(/isis/citation/CBB909967877/)
Book
Martin, Elizabeth;
(1995)
Architecture as a translation of music: Pamphlet architecture 16
(/isis/citation/CBB001181292/)
Article
Katz, Mark;
(1998)
Making America more musical through the phonograph, 1900--1930
(/isis/citation/CBB001181261/)
Book
Prieberg, Fred K.;
(1960)
Musica ex machina; über das Verhältnis von Musik und Technik
(/isis/citation/CBB001181334/)
Book
Kowar, Helmut;
(1996)
Mechanische Musik: Eine Bibliographie und eine Einführung in systematische und kulturhistorische Aspekte mechanischer Musikinstrumente
(/isis/citation/CBB001181271/)
Article
Bijsterveld, Karin;
Peters, Peter Frank;
(2010)
Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution
(/isis/citation/CBB001031065/)
Book
Daniel Warner;
(2017)
Live Wires: A History of Electronic Music
(/isis/citation/CBB353866426/)
Book
Albert Glinsky;
(2022)
Switched On: Bob Moog and the Synthesizer Revolution
(/isis/citation/CBB124652666/)
Article
Mauceri, Frank X.;
(1997)
From experimental music to musical experiment
(/isis/citation/CBB001181293/)
Article
Lopes, Paul;
(1992)
Innovation and diversity in the popular music industry, 1969 to 1990
(/isis/citation/CBB001181286/)
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