Pantalony, David Alexander (Author)
Rudolph Koenig's workshop was a busy meeting place for instruments, ideas, experiments, demonstrations, craft traditions, and business. Starting around 1860, it was also the place in Paris where people discovered the new science of sound emerging from the studies of Hermann von Helmholtz in Germany. Koenig built Helmholtz's ideas into apparatus, created new instruments, and spread them throughout the scientific and musical world. Through his own research, he also became Helmholtz's strongest critic. This paper looks at the activities of this unique space and, in particular, how it contributed to the protracted disputes over an elusive acoustical phenomenon called the combination tone.
...More
Book
Pantalony, David;
(2009)
Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris
(/isis/citation/CBB001023263/)
Thesis
Pantalony, David Alexander;
(2002)
Rudolph Koenig (1832--1901), Hermann von Helmholtz (1821--1894) and the birth of modern acoustics
(/isis/citation/CBB001562537/)
Article
Ullmann, Dieter;
(1986)
Helmholtz-Koenig-Waetzmann und die Natur der Kombinationstöne
(/isis/citation/CBB000063105/)
Book
Patrizio Barbieri;
(2023)
Tuning and Temperament: Practice vs Science. 1450-2020
(/isis/citation/CBB826943267/)
Article
Kursell, Julia;
(2013)
Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg, and Klangfarbenmelodie
(/isis/citation/CBB001320389/)
Article
Hui, A. E.;
(2011)
Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata
(/isis/citation/CBB001033821/)
Article
Jackson, Myles W.;
(2008)
Music and Physics: A Cultural, Interdisciplinary History
(/isis/citation/CBB000930024/)
Book
Rieger, Matthias;
(2006)
Helmholtz Musicus: Die Objektivierung der Musik im 19. Jahrhundert durchHelmholtz' Lehre von den Tonempfindungen
(/isis/citation/CBB000830701/)
Book
Hiebert, Erwin N.;
(2014)
The Helmholtz Legacy in Physiological Acoustics
(/isis/citation/CBB001551096/)
Article
Pesic, Peter;
(2013)
Helmholtz, Riemann, and the Sirens: Sound, Color, and the “Problem of Space”
(/isis/citation/CBB001320409/)
Article
Petersen, Sonja;
(2013)
Craftsmen-Turned-Scientists? The Circulation of Explicit and Working Knowledge in Musical-Instrument Making, 1880--1960
(/isis/citation/CBB001320390/)
Article
Barbieri, Patrizio;
(2007)
The Jesuit Acousticians and the Problem of Wind Instruments (c. 1580--1680)
(/isis/citation/CBB001023815/)
Article
Greenslade, Thomas B., Jr.;
(1992)
The acoustical apparatus of Rudolph Koenig
(/isis/citation/CBB000045541/)
Article
Brenni, Paolo;
(1995)
Nineteenth-century French scientific instrument makers, VI. The triumph of experimental acoustics: Albert Marloye (1795-1874) and Rudolph Koenig (1832-1901)
(/isis/citation/CBB000042921/)
Article
Wilson, Preston S.;
Dolder, Craig N.;
Roy, Ronald A.;
Pierce, Allan D.;
(2014)
From Wood to Carey to Mallock: A Review of Bill Carey's Work Associated with the Mallock-Wood Equation and the Acoustics of Bubbly Liquids and Gas-Bearing Sediments
(/isis/citation/CBB001201084/)
Chapter
Zanarini, Gianni;
(2001)
Hermann von Helmholtz and Ernst Mach on Musical Consonance
(/isis/citation/CBB000102702/)
Book
Cesare Beltrami;
John M. Chowning;
(2020)
Il suono da Giuseppe Tartini a John M. Chowning
(/isis/citation/CBB918557123/)
Article
Dolder, Craig N.;
Wilson, Preston S.;
Hamilton, Mark F.;
(2014)
A Brief History of the Modeling of Sound Propagation in Bubbly Liquids
(/isis/citation/CBB001201083/)
Article
Darrigol, Olivier;
(2007)
The Acoustic Origins of Harmonic Analysis
(/isis/citation/CBB000772559/)
Book
James Q. Davies;
Ellen Lockhart;
(2017)
Sound Knowledge: Music and Science in London, 1789-1851
(/isis/citation/CBB152356042/)
Be the first to comment!