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1999: The BBC simulates prehistoric wildlife. Public Understanding of Science (pp. 524-529). (/isis/citation/CBB015498399/) unapi

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Provoking Animal Realities on TV: Exploring the Affinities between STS and Screen Studies. Science, Technology and Human Values (pp. 695-718). (/isis/citation/CBB355626678/) unapi

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Wild Blue Media: Thinking through Seawater. (/isis/citation/CBB505412067/) unapi

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The Ciné-Biologists: Natural History Film and the Co-Production of Knowledge in Interwar Britain. British Journal for the History of Science (pp. 527-551). (/isis/citation/CBB112073491/) unapi

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Petrodocumentary and the Remaking of New Deal Culture. American Quarterly (pp. 797-821). (/isis/citation/CBB131214221/) unapi

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Filming Fore, Shooting Scientists: Medical Research, Experimental Filmmaking, and Documentary Cinema. Visual Anthropology (pp. 109-127). (/isis/citation/CBB916469776/) unapi

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The Shadow of Progress and the Cultural Markers of the Anthropocene. Environmental History. (/isis/citation/CBB933924108/) unapi

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Astronomy Development and Filmmaking in the Karoo. Mediterranean Archaeology and Archaeometry (pp. 289-295). (/isis/citation/CBB465337605/) unapi

Article Jennifer Ruth Hosek (June 2017)
Film Review: Ovarian Psycos: An Urban Cadence of Power and Precarity. Transfers (pp. 120-123). (/isis/citation/CBB961146884/) unapi

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'Dust Bowls', TVAs and Snowy River Waters: John Heyer, "The Valley is Ours" and an Early Post-War 'Image of Australia'. Environment and History (pp. 589-627). (/isis/citation/CBB374050385/) unapi