Article Matthew H. Edney; Mary S. Pedley (2020)
Writing Cartography’s Enlightenment. The Cartographic Journal (pp. 312-334). (/isis/citation/CBB800622654/) unapi

Book Tom Stammers (2020)
The Purchase of the Past: Collecting Culture in Post-Revolutionary Paris c.1790–1890. (/isis/citation/CBB688163258/) unapi

Book Lisa Blackmore; Gómez, Liliana (2020)
Liquid ecologies in Latin American and Caribbean art. (/isis/citation/CBB145773678/) unapi

Book Raymond V. Sidrys (2020)
The mysterious spheres on Greek and Roman ancient coins. (/isis/citation/CBB319819512/) unapi

Article Cecilia Rosengren (2020)
The wilderness of Allaert van Everdingen – experience and representation of the north in the age of the baroque. Lychnos (pp. 177-205). (/isis/citation/CBB067817991/) unapi

Article Velázquez, Roberto (2019)
Modernism came flying: a micro-history of artistic internationalism and cultural encounters in US-Chilean relations, 1968. Cold War History (pp. 209-232). (/isis/citation/CBB905733115/) unapi

Article Stéphanie Gonçalves (2019)
Ballet, propaganda, and politics in the Cold War: the Bolshoi Ballet in London and the Sadler’s Wells Ballet in Moscow, October–November 1956. Cold War History (pp. 171-186). (/isis/citation/CBB756364502/) unapi

Book Hollis Clayson (2019)
Illuminated Paris: Essays on Art and Lighting in the Belle Époque. (/isis/citation/CBB834082397/) unapi

Book Karen Hope Goodchild; Oettinger, April; Leopoldine van Hogendorp Prosperetti (2019)
Green worlds in early modern Italy : Art and the verdant earth. (/isis/citation/CBB374581564/) unapi

Book Imre Szeman; Jeff Diamanti (2019)
Energy culture: Art and theory on oil and beyond. (/isis/citation/CBB738535889/) unapi

Thesis Sria Chatterjee (2019)
Naturing the Nation: Art and Design in India, 1870s–1970s. (/isis/citation/CBB319242124/) unapi

Book David Cateforis; Steven Duval; Shepherd Steiner (2018)
Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB962502666/) unapi

Chapter Erica Levin (2018)
Sounding Snows: Bodily Static and the Politics of Visibility during the Vietnam War. In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB021755762/) unapi

Chapter Steiner, Shepherd (2018)
Prostheses or Technical Extensions: Rereading the Work of Bernd and Hilla Becher. In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB170295326/) unapi

Chapter Cristina Albu (2018)
Contagious Creativity: Participatory Engagement in the Magic Theater Exhibition (1968). In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB832958383/) unapi

Chapter Dawna Schuld (2018)
Beyond Method and without Object: Subject as Inquiry in the Irwin-Wortz Collaboration. In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB684134012/) unapi

Book Philip Ashford Coppola (2018)
One-track Mind: Drawing the New York Subway. (/isis/citation/CBB383165660/) unapi

Book Caferro, William (2018)
Petrarch's War: Florence and the Black Death in context. (/isis/citation/CBB990152798/) unapi

Chapter John A. Tyson (2018)
Programming and Reprogramming the Institution: Systems Politics in Hans Haacke’s Photoelectric Viewer-Programmed Coordinate System. In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB332928331/) unapi

Chapter Sandra Skurvida (2018)
Technologies of Indeterminacy: John Cage Invents. In: Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. (/isis/citation/CBB629209530/) unapi