Category Division ID: CBA000131355

Science and culture: literature and the arts -- 20th century, late, and 21st century

Show 193 citations related to Science and culture: literature and the arts -- 20th century, late, and 21st century
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Description Term used during the period 2002-present

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Article Hub Zwart (2015)
The Third Man: Comparative Analysis of a Science Autobiography and a Cinema Classic as Windows into Post-War Life Sciences Research.. History and Philosophy of the Life Sciences (pp. 382-412). (/isis/citation/CBB059880555/) unapi

Article Mori, Rafael Cava (2015)
Feeling with Intelligence, Thinking with Emotion: Science and Technology in the Songs of Humberto Gessinger. História, Ciências, Saúde---Manguinhos (pp. 743-760). (/isis/citation/CBB001552747/) unapi

Article Gregory, Helen; Purdy, Anthony (2015)
Present Signs, Dead Things: Indexical Authenticity and Taxidermy's Nonabsent Anima. Configurations: A Journal of Literature, Science, and Technology (pp. 61-92). (/isis/citation/CBB001550676/) unapi

Article Joel Crombez; Harry F. Dahms (2015)
Artificial Intelligence and the Problem of Digital Ontotheology: Toward a Critical Rethinking of Science Fiction as Theory. Bulletin of Science, Technology & Society (pp. 104-113). (/isis/citation/CBB580088946/) unapi

Article Idema, Tom (2015)
Toward a Minor Science Fiction: Literature, Science, and the Shock of the Biophysical. Configurations: A Journal of Literature, Science, and Technology (pp. 35-59). (/isis/citation/CBB001550675/) unapi

Article Leston, Robert (2015)
Deleuze, Haraway, and the Radical Democracy of Desire. Configurations: A Journal of Literature, Science, and Technology (pp. 355-376). (/isis/citation/CBB001553522/) unapi

Article Tal-Socher, Michal (2015)
Calvino's “Crisis of Reason” Revisited. Configurations: A Journal of Literature, Science, and Technology (pp. 331-353). (/isis/citation/CBB001553521/) unapi

Chapter Burstow, Robert (2014)
Geometries of Hope and Fear: the iconography of atomic science and nuclear anxiety in the modern sculpture of World-War and Cold-War Britain. In: British Art in the Nuclear Age (pp. 51-80). (/isis/citation/CBB001553316/) unapi

Chapter Hannes Bergthaller (2014)
Anesthetic Landscapes: Reflections on the photography of John Ganis. In: The Anti-Landscape (pp. 111-128). (/isis/citation/CBB634835373/) unapi

Chapter Annalisa Banzi; Edoardo Rovida (2014)
Collezioni, archivi, musei. In: Storia della Meccanica (pp. 771-794). (/isis/citation/CBB331048322/) unapi

Chapter Nikolet Jensen (2014)
Reinventing New York’s High Line. In: The Anti-Landscape (pp. 177-198). (/isis/citation/CBB694590114/) unapi

Chapter Jacobi, Carol (2014)
“A Kind of Cold War Feeling ” 1945-1952. In: British Art in the Nuclear Age (pp. 19-50). (/isis/citation/CBB001553315/) unapi

Chapter Aspinall, Katherine (2014)
The Aesthetics of Scientific Authority in a Nuclear Age: Jacob Bronowski and Feliks Topolski. In: British Art in the Nuclear Age (pp. 195-216). (/isis/citation/CBB001553322/) unapi

Chapter Gaskin, Fiona (2014)
The Genius Loci of Cold War Britain: the Metamorphic Landscapes of Graham Sutherland, Peter Lanyon and Alan Reynolds. In: British Art in the Nuclear Age (pp. 127-150). (/isis/citation/CBB001553319/) unapi

Chapter Alessandra Goggio (2014)
Scienza e letteratura in "Die Vermessung der Welt" di Daniel Kehlmann. In: Formula e metafora: figure di scienziati nelle letterature e culture contemporanee (pp. 275-285). (/isis/citation/CBB897093568/) unapi

Chapter Spencer, Catherine (2014)
Covert Resistance: Prunella Clough's Cold War 'Urbscapes'. In: British Art in the Nuclear Age (pp. 171-194). (/isis/citation/CBB001553321/) unapi

Chapter Jolivette, Catherine (2014)
Representations of Atomic Power at the Festival of Britain. In: British Art in the Nuclear Age (pp. 103-126). (/isis/citation/CBB001553318/) unapi

Chapter Salter, Gregory (2014)
Cold War At Home: John Bratby, The Self and The Nuclear Threat. In: British Art in the Nuclear Age (pp. 151-170). (/isis/citation/CBB001553320/) unapi

Chapter Laucht, Christoph (2014)
“An Imagined Cataclysm Becomes Fact”: British Photojournalism and Real and Imagined Nuclear War in Picture Post. In: British Art in the Nuclear Age (pp. 81-102). (/isis/citation/CBB001553317/) unapi

Article Sheils, Barry; Walsh, Julie (2013)
Tragedy and Transference in D. M. Thomas's The White Hotel. Psychoanalysis and History (pp. 69-90). (/isis/citation/CBB001212828/) unapi

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