Chapter Benjamin Fraser (2021)
Chapter 2. The Sonic Force of the Machine Ensemble: Transnational Objectification in Steve Reich’s Different Trains (1988). In: Transnational Railway Cultures: Trains in Music, Literature, Film, and Visual Art. (/isis/citation/CBB870226760/) unapi

Chapter Aimée Boutin (2021)
Chapter 1. The Railway Arts: Sound and Space Beyond Borders. In: Transnational Railway Cultures: Trains in Music, Literature, Film, and Visual Art. (/isis/citation/CBB454947584/) unapi

Article Owen Marshall (July 2021)
The Maniac-Making Machine: A Media History of Delayed Auditory Feedback. Technology and Culture (pp. 839-860). (/isis/citation/CBB118537584/) unapi

Article Amanda Beardsley (July 2021)
The Female Absorption Coefficient: The Miniskirt Study, Gender, and Latter-day Saint Architectural Acoustics. Technology and Culture (pp. 659-684). (/isis/citation/CBB046448549/) unapi

Article Karin Bijsterveld (2021)
Slicing Sound: Speaker Identification and Sonic Skills at the Stasi, 1966–1989. Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 215-241). (/isis/citation/CBB388750124/) unapi

Book Joseph L. Clarke (2021)
Echo's chambers: architecture and the idea of acoustic space. (/isis/citation/CBB797660655/) unapi

Book Bissera V. Pentcheva (2021)
Icons of sound : Voice, architecture, and imagination in Medieval art. (/isis/citation/CBB365782105/) unapi

Chapter Tom Western (2021)
Sonopolis: Activist Infrastructures and Sonic Citizenships in Athens. In: Audible Infrastructures: Music, Sound, Media. (/isis/citation/CBB633959534/) unapi

Chapter Graeme Murdock (2021)
Hearing the Word of God: The Aural and Symbolic Presence of Bibles in Early Hungarian-Speaking Calvinism. In: Print culture at the crossroads : The book and Central Europe (pp. 17-33). (/isis/citation/CBB749217153/) unapi

Chapter Alexandrine Boudreault-Fournier; Devine, Kyle (2021)
Making Infrastructures Audible. In: Audible Infrastructures: Music, Sound, Media. (/isis/citation/CBB744043306/) unapi

Book Paul Atkinson (2021)
Amplified: A design history of the electric guitar. (/isis/citation/CBB779609846/) unapi

Book Edward J. Gillin (2021)
Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain. (/isis/citation/CBB093436648/) unapi

Thesis Jessica Manning Lovett (2021)
The Sound Culture of Space Science. (/isis/citation/CBB249381202/) unapi

Article Robert J. Simpkins (December 2020)
The Cadences of Rails: Unscheduled Stops in Tōkyō's Spaces of Flow. Transfers (pp. 212-229). (/isis/citation/CBB022184116/) unapi

Article Melle Jan Kromhout (2020)
The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound. Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 471-492). (/isis/citation/CBB282467130/) unapi

Article Amy Cimini (2020)
We Don’t Know That We Don’t Know What a Body Can Do … , or Spinoza and Some Social Lives of Sonic Material. Intellectual History Review (pp. 465-488). (/isis/citation/CBB839291654/) unapi

Article Madeline Bourque Kearin (2020)
‘As syllable from sound’: the sonic dimensions of confinement at the State Hospital for the Insane at Worcester, Massachusetts. History of Psychiatry (pp. 67-82). (/isis/citation/CBB806434585/) unapi

Book Asma Naeem (2020)
Out of Earshot: Sound, Technology, and Power in American Art, 1860–1900. (/isis/citation/CBB230538301/) unapi

Book Adin E. Lears (2020)
World of Echo: Noise and Knowing in Late Medieval England. (/isis/citation/CBB394368465/) unapi

Book Christine Ehardt (2020)
Radiobilder: Eine Kulturgeschichte des Radios in Osterreich. (/isis/citation/CBB459618137/) unapi