Article Thamarai Selvan Kannan (October 2023)
Skin and Sound: Caring for and Crafting Bovine Hide in South India. Technology and Culture (pp. 1121-1139). (/isis/citation/CBB529821269/) unapi

Article Yuen Chee Wai; En-Chieh Chao (2023)
Bioacoustics as Forms of Resistance: Growing Mycelium Instruments and Mushroom Communication in a High-Tech City-State. East Asian Science, Technology and Society: An International Journal (pp. 105-110). (/isis/citation/CBB627288892/) unapi

Article James Maguire (2023)
Data Echoes: Sound, Evidence, and Acoustic Methods in Energy Landscapes. Science, Technology, and Human Values (pp. 319-342). (/isis/citation/CBB201533128/) unapi

Chapter Sven Kube (2023)
Richer Sounds: Capitalism, Musical Instruments, and the Cold War Sonic Divide. In: Capitalism and the Senses. (/isis/citation/CBB287367184/) unapi

Chapter Nicholas Anderman (2023)
Sounding Maritime Metal: On Weathering Steel and Listening to Capitalism at Sea. In: Capitalism and the Senses. (/isis/citation/CBB045092212/) unapi

Article Keisuke Yamada (2023)
Cover Essay: Visual Images in Sound Studies. Technology and Culture (pp. 303-307). (/isis/citation/CBB043314087/) unapi

Book Viktoria Tkaczyk (2023)
Thinking with sound : A new program in the sciences and humanities around 1900. (/isis/citation/CBB944004502/) unapi

Article Alex D. Velez (2022)
“The Wind Cries Mary”: The Effect of Soundscape on the Prairie-Madness Phenomenon. Historical Archaeology (pp. 262-273). (/isis/citation/CBB237583986/) unapi

Article Annekatrin Skeide (January 2022)
Music to My Ears: A Material-semiotic Analysis of Fetal Heart Sounds in Midwifery Prenatal Care. Science, Technology, and Human Values (pp. 517-543). (/isis/citation/CBB433803030/) unapi

Article Fiona Amery (2022)
The disputed sound of the aurora borealis: sensing liminal noise during the First and Second International Polar Years, 1882–3 and 1932–3. Notes and Records: the Royal Society Journal of the History of Science (pp. 5-26). (/isis/citation/CBB498610775/) unapi

Chapter Howard, Deborah (2022)
Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, Venice. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 135-151). (/isis/citation/CBB482108439/) unapi

Chapter Alexander Nemerov (2022)
Epilogue: A Voice from beyond the Grave: Tintoretto among the Art Historians. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 206-216). (/isis/citation/CBB389370043/) unapi

Chapter Ivan Foletti (2022)
Singing Doors: Images, Space, and Sound in the Santa Sabina Narthex. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 19-35). (/isis/citation/CBB884775148/) unapi

Chapter Bissera V. Pentcheva (2022)
The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in Constantinople. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 52-100). (/isis/citation/CBB132264311/) unapi

Chapter Christina Maranci (2022)
Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical Evidence. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 36-51). (/isis/citation/CBB192632672/) unapi

Chapter Vincent Debiais (2022)
Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval Rituals. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 116-134). (/isis/citation/CBB703026354/) unapi

Chapter Bissera V. Pentcheva (2022)
Transcendent Visions: Voice and Icon in the Byzantine Imperial Chapels. In: Icons of sound : Voice, architecture, and imagination in Medieval art (pp. 101-115). (/isis/citation/CBB231073859/) unapi

Article Owen Marshall (2022)
Un-silencing an Experimental Technique: Listening to the Electrical Penetration Graph. Science, Technology, and Human Values (pp. 1011-1032). (/isis/citation/CBB827332902/) unapi

Article Noa Hegesh (2021)
Mind the Gap: Acoustical Answers to Cosmological Concerns in First-Century b.c.e. China. Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 645-669). (/isis/citation/CBB852060209/) unapi

Chapter Benjamin Fraser (2021)
Chapter 2. The Sonic Force of the Machine Ensemble: Transnational Objectification in Steve Reich’s Different Trains (1988). In: Transnational Railway Cultures: Trains in Music, Literature, Film, and Visual Art. (/isis/citation/CBB870226760/) unapi