Show
49 citations
related to Performance; demonstration
Show
49 citations
related to Performance; demonstration as a subject or category
Description Term used during the period 2002-present
Article
Florian Jaton; Philippe Sormani
(2023)
Enabling ‘AI’? The situated production of commensurabilities.
Social Studies of Science
(pp. 625-634).
(/isis/citation/CBB317438605/)
Thesis
Pallas Catenella Choi Riedler
(2023)
Virtual Economies and Spectral Space: Opera and Immersive Technology in the Late Nineteenth Century.
(/isis/citation/CBB421986568/)
Book
Imogen Sophie Kristin Wade
(2022)
Innovation and Modernization in Contemporary Russia: Science Towns, Technology Parks and Very Limited Success.
(/isis/citation/CBB499360974/)
Article
Bruce T. Moran
(2022)
Medical Performance and the Alchemy of Plants in the Ventures of Leonhard Thurneisser zum Thurn.
Ambix: Journal of the Society for the History of Alchemy and Chemistry
(pp. 95-117).
(/isis/citation/CBB062067283/)
Book
Miira B. Hill
(2022)
The New Art of Old Public Science Communication: The Science Slam.
(/isis/citation/CBB847395771/)
Book
Yuji Nawata; Hans Joachim Dethlefs
(2022)
Performance Spaces and Stage Technologies: A Comparative Perspective on Theatre History.
(/isis/citation/CBB845799418/)
Book
Diarmid A. Finnegan
(2021)
The Voice of Science: British Scientists on the Lecture Circuit in Gilded Age America.
(/isis/citation/CBB902136789/)
Article
Oxana Kosenko; Igor J. Polianski
(2021)
Ich will (k)ein Kind! Theatrale Inszenierung der Abtreibung und Mutterschaft in der Sowjetunion der 1920er–30er Jahre (I want (no) child! Theatrical Staging of Abortion and Motherhood in the Soviet Union of the 1920s-30s).
Sudhoffs Archiv: Zeitschrift fuer Wissenschaftsgeschichte
(pp. 57-88).
(/isis/citation/CBB699255587/)
Article
Christoph Ernst; Jens Schröter
(2021)
Die Zukunft vorstellen – Technologie-Demonstrationen in der Geschichte digitaler Medien. (Imagining the Future - Technology Demonstrations in Digital Media History).
Technikgeschichte: Beiträge zur Geschichte der Technik und Industrie
(pp. 79-106).
(/isis/citation/CBB076196101/)
Book
Lucia Raggetti
(2021)
Un coniglio nel turbante. Intrattenimento e inganno nella scienza arabo-islamica.
(/isis/citation/CBB200403706/)
Book
Sven Dupré; Anna Harris; Julia Kursell; et al.
(2020)
Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences.
(/isis/citation/CBB837947575/)
Article
Tina Skouen
(2020)
Brian Cox and the new enlightenment.
Notes and Records: The Royal Society Journal of the History of Science
(pp. 149-178).
(/isis/citation/CBB526278326/)
Article
Greiff A., Alexis De
(2020)
The theatre of operations and the war against SARS-Cov2 and COVID-19.
Tapuya: Latin American Science, Technology and Society
(pp. 261-271).
(/isis/citation/CBB039201948/)
Article
Zoe Hughes
(2019)
Performative vs. Performing Taxidermy or the De- and Reconstruction of Animal Faces in Service of Animal Futures.
Configurations: A Journal of Literature, Science, and Technology
(pp. 163-186).
(/isis/citation/CBB161227930/)
Article
Paul E. Sampson
(2019)
The Cosmos in a Cabinet: Performance, Politics, and Mechanical Philosophy in Henry Bridges’ ‘Microcosm’.
Endeavour: Review of the Progress of Science
(pp. 25-31).
(/isis/citation/CBB337139789/)
Article
Seth Hedquist
(2019)
“Boost the Farm Bureau”: Agricultural Leaders, Progressive Musicians, and Social Orchestration in Iowa, 1921–1937.
Agricultural History
(pp. 264-287).
(/isis/citation/CBB711920021/)
Chapter
Bernd Scholze
(2019)
The Magic Lantern as an Ambassador between Cultures and Religions: Imrich Emanuel Roth and the First Dissolving View Shows in the Ottoman Empire, 1845–1846.
In: Scientific Instruments between East and West
(pp. 229-239).
(/isis/citation/CBB910336609/)
Book
Karen Raber; Monica Mattfeld
(2017)
Performing Animals: History, Agency, Theater.
(/isis/citation/CBB936448989/)
Book
Carin Berkowitz; Bernard Lightman
(2017)
Science Museums in Transition: Cultures of Display in Nineteenth-Century Britain and America.
(/isis/citation/CBB922082803/)
Article
Tiziana Morosetti
(2017)
‘Etc. Etc.’: Replicating the ‘Exotic’ Body on the Nineteenth-Century British Stage.
19: Interdisciplinary Studies in the Long Nineteenth Century.
(/isis/citation/CBB670178005/)
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