Show
21 citations
related to Engineering, audio
Show
21 citations
related to Engineering, audio as a subject or category
Description Term used during the period 2002-present
Article
Hans-Joachim Braun
(2018)
Sounding Objects, Collaborative Creators, Improvising Engineers: Suggestions for Research (Essay).
Icon: Journal of the International Committee for the History of Technology
(pp. 53-64).
(/isis/citation/CBB175874695/)
Thesis
Thomas Fogg
(2018)
Expériences sonores Music in Postwar Paris and the Changing Sense of Sound.
(/isis/citation/CBB312205273/)
Book
Ragnhild Brøvig-Hanssen; Anne Danielsen
(2017)
Digital Signatures: The Impact of Digitization on Popular Music Sound.
(/isis/citation/CBB918206806/)
Article
Stefan Krebs
(2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones.
Icon: Journal of the International Committee for the History of Technology
(pp. 113-144).
(/isis/citation/CBB007112913/)
Article
Boon, Tim
(2015)
Sounding the Field: Recent Works in Sound Studies.
British Journal for the History of Science
(pp. 493-502).
(/isis/citation/CBB001552305/)
Article
Morris, David Z.
(2014)
Cars with the Boom: Identity and Territory in American Postwar Automobile Sound.
Technology and Culture
(pp. 326-353).
(/isis/citation/CBB001421261/)
Article
Rubery, Matthew
(2013)
Canned Literature: The Book after Edison.
Book History
(p. 215).
(/isis/citation/CBB001201826/)
Book
Smyrek, Volker
(2013)
Die Geschichte des Tonmischpults: die technische Entwicklung der Mischpulte und der Wandel der medialen Produktionsverfahren im Tonstudio von den 1920er-Jahren bis heute.
(/isis/citation/CBB001551542/)
Article
Schäfer, Armin
(2013)
The Audiovisual Field in Bruce Nauman's Videos.
Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences
(p. 146).
(/isis/citation/CBB001320387/)
Book
Bijsterveld, Karin
(2013)
Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage.
(/isis/citation/CBB001421248/)
Book
Sterne, Jonathan
(2012)
MP3: The Meaning of a Format.
(/isis/citation/CBB001320969/)
Book
Adams, Michael H
(2012)
Lee De Forest: King of Radio, Television, and Film.
(/isis/citation/CBB001421336/)
Article
Hagood, Mack
(2011)
Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space.
American Quarterly
(p. 573).
(/isis/citation/CBB001035558/)
Thesis
Sayers, Jentery
(2011)
How Text Lost Its Source: Magnetic Recording Cultures.
(/isis/citation/CBB001567268/)
Book
Bijsterveld, Karin; Dijck, José van
(2009)
Sound souvenirs: Audio technologies, memory and cultural practices.
(/isis/citation/CBB001180422/)
Chapter
Weber, Heike
(2009)
Taking your favorite sound along: Portable audio technologies for mobile listening.
In: Sound souvenirs: Audio technologies, memory and cultural practices
(p. 69).
(/isis/citation/CBB001180423/)
Thesis
Downes, Kieran
(2009)
From Enthusiasm to Practice: Users, Systems, and Technology in High-End Audio.
(/isis/citation/CBB001561079/)
Article
Schmidt Horning, Susan
(2004)
Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound.
Social Studies of Science
(p. 703).
(/isis/citation/CBB000651380/)
Article
Porcello, Thomas
(2004)
Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers.
Social Studies of Science
(pp. 733-758).
(/isis/citation/CBB000651381/)
Article
Jones, Steve
(1993)
A sense of space: Virtual reality, authenticity and the aural.
Critical studies in mass communication: CSMC: A publication of the Speech Communication Association
(pp. 238-252).
(/isis/citation/CBB001181081/)
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