Article Hans-Joachim Braun (2018)
Sounding Objects, Collaborative Creators, Improvising Engineers: Suggestions for Research (Essay). Icon: Journal of the International Committee for the History of Technology (pp. 53-64). (/isis/citation/CBB175874695/) unapi

Thesis Thomas Fogg (2018)
Expériences sonores Music in Postwar Paris and the Changing Sense of Sound. (/isis/citation/CBB312205273/) unapi

Article Stefan Krebs (2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones. Icon: Journal of the International Committee for the History of Technology (pp. 113-144). (/isis/citation/CBB007112913/) unapi

Book Ragnhild Brøvig-Hanssen; Anne Danielsen (2017)
Digital Signatures: The Impact of Digitization on Popular Music Sound. (/isis/citation/CBB918206806/) unapi

Article Boon, Tim (2015)
Sounding the Field: Recent Works in Sound Studies. British Journal for the History of Science (pp. 493-502). (/isis/citation/CBB001552305/) unapi

Article Morris, David Z. (2014)
Cars with the Boom: Identity and Territory in American Postwar Automobile Sound. Technology and Culture (pp. 326-353). (/isis/citation/CBB001421261/) unapi

Article Rubery, Matthew (2013)
Canned Literature: The Book after Edison. Book History (p. 215). (/isis/citation/CBB001201826/) unapi

Book Smyrek, Volker (2013)
Die Geschichte des Tonmischpults: die technische Entwicklung der Mischpulte und der Wandel der medialen Produktionsverfahren im Tonstudio von den 1920er-Jahren bis heute. (/isis/citation/CBB001551542/) unapi

Book Bijsterveld, Karin (2013)
Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. (/isis/citation/CBB001421248/) unapi

Article Schäfer, Armin (2013)
The Audiovisual Field in Bruce Nauman's Videos. Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences (p. 146). (/isis/citation/CBB001320387/) unapi

Book Sterne, Jonathan (2012)
MP3: The Meaning of a Format. (/isis/citation/CBB001320969/) unapi

Book Adams, Michael H (2012)
Lee De Forest: King of Radio, Television, and Film. (/isis/citation/CBB001421336/) unapi

Article Hagood, Mack (2011)
Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space. American Quarterly (p. 573). (/isis/citation/CBB001035558/) unapi

Thesis Sayers, Jentery (2011)
How Text Lost Its Source: Magnetic Recording Cultures. (/isis/citation/CBB001567268/) unapi

Chapter Weber, Heike (2009)
Taking your favorite sound along: Portable audio technologies for mobile listening. In: Sound souvenirs: Audio technologies, memory and cultural practices (p. 69). (/isis/citation/CBB001180423/) unapi

Book Bijsterveld, Karin; Dijck, José van (2009)
Sound souvenirs: Audio technologies, memory and cultural practices. (/isis/citation/CBB001180422/) unapi

Thesis Downes, Kieran (2009)
From Enthusiasm to Practice: Users, Systems, and Technology in High-End Audio. (/isis/citation/CBB001561079/) unapi

Article Schmidt Horning, Susan (2004)
Engineering the Performance: Recording Engineers, Tacit Knowledge and the Art of Controlling Sound. Social Studies of Science (p. 703). (/isis/citation/CBB000651380/) unapi

Article Porcello, Thomas (2004)
Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers. Social Studies of Science (pp. 733-758). (/isis/citation/CBB000651381/) unapi

Article Jones, Steve (1993)
A sense of space: Virtual reality, authenticity and the aural. Critical studies in mass communication: CSMC: A publication of the Speech Communication Association (pp. 238-252). (/isis/citation/CBB001181081/) unapi