Concept ID: CBA000117461

Scientific illustration

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Description Term used during the period 2002-present

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Related Citations

Book Rebecca Whiteley (2022)
Birth Figures: Early Modern Prints and the Pregnant Body. (/isis/citation/CBB774234095/) unapi

Book Giles Sparrow; Martin Rees (2022)
Phenomena: Doppelmayr’s Celestial Atlas. (/isis/citation/CBB346579688/) unapi

Book Jack Challoner (2022)
Seeing Science: The Art of Making the Invisible Visible. (/isis/citation/CBB384641457/) unapi

Article John A. Edgington (2022)
Three botanical watercolours by Richard Bradley (c.1688–1732) including of coffee and cinnamon. Archives of Natural History (pp. 341-346). (/isis/citation/CBB762625869/) unapi

Article Cristiana Vieira; João Muchagata; Rita Gaspar; et al. (2022)
Biological models and replicas in Museu de História Natural e da Ciência da Universidade do Porto, Portugal. Archives of Natural History (pp. 269-284). (/isis/citation/CBB251819422/) unapi

Article Jarmila Skružná; Adéla Pokorná; Sylva Dobalová; et al. (2022)
Hortus siccus (1595) of Johann Brehe of Überlingen from the Broumov Benedictine monastery, Czech Republic, re-discovered. Archives of Natural History (pp. 319-340). (/isis/citation/CBB401098403/) unapi

Article Matthew Fishburn (2022)
Dwarf emus from Baudin's voyage (1800–1804): an overlooked engraving by Nicolas Huet (1770–1830). Archives of Natural History (pp. 285-297). (/isis/citation/CBB934796083/) unapi

Article Robert Montgomerie (2022)
Casey Albert Wood and The fundus oculi of birds (1917). Archives of Natural History (pp. 347-363). (/isis/citation/CBB118033524/) unapi

Book Anna Escardó; Voss, Julia (2022-09-13)
Title missing. (/isis/citation/CBB985581785/) unapi

Article Francesca Antonelli (2022)
Becoming Visible: Marie-Anne Paulze-Lavoisier and the Campaign for the “New Chemistry” (1770s-1790s). Ambix: Journal of the Society for the History of Alchemy and Chemistry (pp. 221-242). (/isis/citation/CBB123830478/) unapi

Article Bruce T. Moran (2022)
Medical Performance and the Alchemy of Plants in the Ventures of Leonhard Thurneisser zum Thurn. Ambix: Journal of the Society for the History of Alchemy and Chemistry (pp. 95-117). (/isis/citation/CBB062067283/) unapi

Article John A. Edgington (2022)
Johann Jacob Dillenius (1684–1747) as a colourer. Archives of Natural History (pp. 130-140). (/isis/citation/CBB681153145/) unapi

Article Theodore W. Pietsch (2022)
Charles Plumier’s anatomical drawings and description of the American crocodile, Crocodylus acutus (1694–1697). Archives of Natural History (pp. 141-159). (/isis/citation/CBB242758674/) unapi

Article Anthony French (2022)
The colouring of John Curtis’s British entomology (1834–1839): Joseph Standish and “the paragon of perfection”. Archives of Natural History (pp. 62-77). (/isis/citation/CBB473136138/) unapi

Book Simon Martin (2022)
Drawn to Nature: Gilbert White and the Artists. (/isis/citation/CBB006150765/) unapi

Thesis Lois R. Rosson (2022)
The Astronomical Realists: The Social Mechanics of Visual Documentation, Art, and the American Space Age, 1944 – 1987. (/isis/citation/CBB624579459/) unapi

Thesis Jacob Murel (2022)
(In)Stability and (Re)Creation in the English Print Reception of Vesalian Anatomical Illustrations: A Material-Hermeneutical and Text Analytic Study in Transnational Early Modern Bibliography. (/isis/citation/CBB656032010/) unapi

Thesis Rebecca Lampert Golding (2022)
Visualizing Medicine in the Twelfth Century: Bodily Disease, Spiritual Cure, and Christian Salvation. (/isis/citation/CBB898121101/) unapi

Article Lauren Williams (2021)
Fruitful collaborations: The Taylor White project in the Blacker Wood Natural History Collection. Notes and Records: The Royal Society Journal of the History of Science (pp. 643-656). (/isis/citation/CBB828448646/) unapi

Article Victoria Dickenson; Jennifer Garland (2021)
Taylor White's ‘paper museum’. Notes and Records: The Royal Society Journal of the History of Science (pp. 599-626). (/isis/citation/CBB857539070/) unapi

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