Chapter Simon Zagorski-Thomas (2016)
The US vs the UK Sound: Meaning in Music Production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 57-76). (/isis/citation/CBB630134209/) unapi

Chapter William Moylan (2016)
Considering Space in Recorded Music. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 163-188). (/isis/citation/CBB929905273/) unapi

Chapter Sean Williams (2016)
Tubby’s Dub Style: The Live Art of Record Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 235-246). (/isis/citation/CBB358687756/) unapi

Chapter Paul Théberge (2016)
The End of the World as We Know It: The Changing Role of the Studio in the Age of the Internet. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 77-90). (/isis/citation/CBB210136963/) unapi

Chapter Jan Fairley; Alexandrine Boudreault-Fournier (2016)
Recording the Revolution: 50 Years of Music Studios in Revolutionary Cuba. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 247-267). (/isis/citation/CBB020201172/) unapi

Book Thomas Patteson (2015)
Instruments for New Music: Sound, Technology, and Modernism. (/isis/citation/CBB077204349/) unapi

Article Alexandra Supper (2015)
Data Karaoke: Sensory and Bodily Skills in Conference Presentations. Science as Culture (pp. 436-457). (/isis/citation/CBB947703132/) unapi

Article Sullivan, Edmund (2014)
Bill Carey and Passive Synthetic Aperture. Journal of the Acoustical Society of America. (/isis/citation/CBB001201087/) unapi

Book Daniel Morat (2014)
Sounds of modern history: Auditory cultures in 19th- and 20th- century Europe. (/isis/citation/CBB412109387/) unapi

Book Dommann, Monika (2014)
Autoren und Apparate: die Geschichte des Copyrights im Medienwandel. (/isis/citation/CBB001551280/) unapi

Article Hui, Alexandra; Kursell, Julia; Jackson, Myles W. (2013)
Music, Sound, and the Laboratory from 1750 to 1980. Osiris: A Research Journal Devoted to the History of Science and Its Cultural Influences (p. 1). (/isis/citation/CBB001320380/) unapi

Article Rubery, Matthew (2013)
Canned Literature: The Book after Edison. Book History (p. 215). (/isis/citation/CBB001201826/) unapi

Thesis Whitney, Tyler (2013)
Spaces of the Ear: Literature, Media, and the Science of Sound, 1870--1930. (/isis/citation/CBB001562886/) unapi

Thesis Kelleher, Kevin Daniel (2013)
The Contributions of Thomas Alva Edison to Music Education. (/isis/citation/CBB001567450/) unapi

Book Hui, Alexandra (2013)
The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840--1910. (/isis/citation/CBB001214629/) unapi

Book Horning, Susan Schmidt (2013)
Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP. (/isis/citation/CBB001213164/) unapi

Article Chao, Noelle (2013)
Listening to the Voice on the Page: Joshua Steele and Technologies of Recording. Eighteenth Century: Theory and Interpretation (p. 245). (/isis/citation/CBB001201891/) unapi

Article Cowen, Ron (2012)
Archaeologist of Sound. Science (p. 278). (/isis/citation/CBB001320479/) unapi

Chapter Scott, D. Travers (2012)
Intimacy Threats and Intersubjective Users: Telephone Training Films. In: Sound Clash: Listening to American Studies (p. 43). (/isis/citation/CBB001421309/) unapi

Chapter Stoever-Ackerman, Jennifer (2012)
Reproducing U.S. Citizenship in Blackboard Jungle: Race, Cold War Liberalism, and the Tape Recorder. In: Sound Clash: Listening to American Studies (p. 337). (/isis/citation/CBB001421322/) unapi