Book Viktoria Tkaczyk (2023)
Thinking with sound : A new program in the sciences and humanities around 1900. (/isis/citation/CBB944004502/) unapi

Article Cheryl Higashida (2022)
Citizens Band: Surveillance, Dark Sousveillance, and Social Movements. American Quarterly (pp. 317-344). (/isis/citation/CBB195380767/) unapi

Book Farokh Soltani (2020)
Radio / body: Phenomenology and dramaturgies of radio. (/isis/citation/CBB315897676/) unapi

Article Xu, Chuan (September 2019)
From Sonic Models to Sonic Hooligans: Magnetic Tape and the Unraveling of the Mao-Era Sound Regime, 1958–1983. East Asian Science, Technology and Society: An International Journal (pp. 391-412). (/isis/citation/CBB729484710/) unapi

Book Thor Magnusson (2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions. (/isis/citation/CBB909967877/) unapi

Article Grant Olwage (October 2018)
Paul Robeson's Microphone Voice and the Technologies of Easy Singing. Technology and Culture (pp. 823-849). (/isis/citation/CBB697949245/) unapi

Article Witke, Boris (2018)
Braun "SK 4" - die erste Kompaktanlage. (Braun "SK 4"- the first compact system.). Funkgeschichte (pp. 228-239). (/isis/citation/CBB718996014/) unapi

Article Stefan Krebs (2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones. Icon: Journal of the International Committee for the History of Technology (pp. 113-144). (/isis/citation/CBB007112913/) unapi

Chapter Andrew Blake (2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 195-206). (/isis/citation/CBB162963806/) unapi

Chapter Alan Williams (2016)
‘I’m Not Hearing What You’re Hearing’: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 113-127). (/isis/citation/CBB107237439/) unapi

Chapter Susan Schmidt Horning (2016)
The Sounds of Space: Studio as Instrument in the Era of High Fidelity. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 29-42). (/isis/citation/CBB713009477/) unapi

Chapter Simon Frith (2016)
The Place of the Producer in the Discourse of Rock. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 207-221). (/isis/citation/CBB260389967/) unapi

Chapter Paul Théberge (2016)
The End of the World as We Know It: The Changing Role of the Studio in the Age of the Internet. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 77-90). (/isis/citation/CBB210136963/) unapi

Chapter Simon Zagorski-Thomas (2016)
The US vs the UK Sound: Meaning in Music Production in the 1970s. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 57-76). (/isis/citation/CBB630134209/) unapi

Chapter Sean Williams (2016)
Tubby’s Dub Style: The Live Art of Record Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 235-246). (/isis/citation/CBB358687756/) unapi

Chapter Interlude 1: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 90-96). (/isis/citation/CBB513788686/) unapi

Chapter Interlude 2: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 189-192). (/isis/citation/CBB088871049/) unapi

Chapter Michael Jarrett (2016)
The Self-Effacing Producer: Absence Summons Presence. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 129-148). (/isis/citation/CBB712436826/) unapi

Chapter Phillip McIntyre (2016)
Rethinking Creativity: Record Production and the Systems Model. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 149-161). (/isis/citation/CBB475801547/) unapi

Chapter Jan Butler (2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 223-233). (/isis/citation/CBB772351228/) unapi