Show
80 citations
related to Sound reproduction
Show
80 citations
related to Sound reproduction as a subject or category
Description Term used during the period 2002-present
Article
Xu, Chuan
(September 2019)
From Sonic Models to Sonic Hooligans: Magnetic Tape and the Unraveling of the Mao-Era Sound Regime, 1958–1983.
East Asian Science, Technology and Society: An International Journal
(pp. 391-412).
(/isis/citation/CBB729484710/)
Book
Thor Magnusson
(2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions.
(/isis/citation/CBB909967877/)
Article
Grant Olwage
(October 2018)
Paul Robeson's Microphone Voice and the Technologies of Easy Singing.
Technology and Culture
(pp. 823-849).
(/isis/citation/CBB697949245/)
Article
Witke, Boris
(2018)
Braun "SK 4" - die erste Kompaktanlage. (Braun "SK 4"- the first compact system.).
Funkgeschichte
(pp. 228-239).
(/isis/citation/CBB718996014/)
Article
Stefan Krebs
(2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones.
Icon: Journal of the International Committee for the History of Technology
(pp. 113-144).
(/isis/citation/CBB007112913/)
Chapter
Andrew Blake
(2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 195-206).
(/isis/citation/CBB162963806/)
Chapter Interlude 2: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 189-192). (/isis/citation/CBB088871049/)
Chapter
Michael Jarrett
(2016)
The Self-Effacing Producer: Absence Summons Presence.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 129-148).
(/isis/citation/CBB712436826/)
Chapter
Simon Frith
(2016)
The Place of the Producer in the Discourse of Rock.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 207-221).
(/isis/citation/CBB260389967/)
Chapter
Simon Frith; Simon Zagorski-Thomas
(2016)
Introduction.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 1-9).
(/isis/citation/CBB542549707/)
Chapter
Susan Schmidt Horning
(2016)
The Sounds of Space: Studio as Instrument in the Era of High Fidelity.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 29-42).
(/isis/citation/CBB713009477/)
Chapter
Jan Butler
(2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 223-233).
(/isis/citation/CBB772351228/)
Chapter Interlude 1: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 90-96). (/isis/citation/CBB513788686/)
Book
Simon Frith; Simon Zagorski-Thomas
(2016)
The Art of Record Production: An Introductory Reader for a New Academic Field.
(/isis/citation/CBB558340383/)
Chapter Interlude 3: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 269-275). (/isis/citation/CBB615853546/)
Chapter
Alan Williams
(2016)
‘I’m Not Hearing What You’re Hearing’: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 113-127).
(/isis/citation/CBB107237439/)
Chapter
Allan Moore
(2016)
Beyond a Musicology of Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 99-111).
(/isis/citation/CBB142923970/)
Chapter
Phillip McIntyre
(2016)
Rethinking Creativity: Record Production and the Systems Model.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 149-161).
(/isis/citation/CBB475801547/)
Chapter
Zak, Albin, III
(2016)
No-Fi: Crafting a Language of Recorded Music in 1950s Pop.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 43-55).
(/isis/citation/CBB848504039/)
Chapter
William Moylan
(2016)
Considering Space in Recorded Music.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 163-188).
(/isis/citation/CBB929905273/)
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