Show
92 citations
related to Musical instruments
Show
92 citations
related to Musical instruments as a subject or category
Description Term used during the period 2002-present
Thesis
Patrick David-Jung Bonczyk
(2021)
“Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries.
(/isis/citation/CBB497166926/)
Article
Sonja Petersen
(2019)
The Notebook and the Laboratory – Types of Knowledge in German Piano-making, 1880–1930.
History and Technology
(pp. 58-80).
(/isis/citation/CBB178123492/)
Article
Brenno Boccadoro; Paolo Gozza
(2019)
Ripensare l'umanesimo musicale.
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
(pp. 117-131).
(/isis/citation/CBB342327129/)
Book
Thor Magnusson
(2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions.
(/isis/citation/CBB909967877/)
Thesis
Katelyn Clark
(2019)
The Early Pianoforte School in London’s Musical World, 1785–1800: Technology, Market, Gender, and Style.
(/isis/citation/CBB679560387/)
Thesis
Zhuqing Hu
(2019)
From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform.
(/isis/citation/CBB144734757/)
Article
Manuel Bertolini
(2019)
Campanella, musica e storia culturale nel Rinascimento.
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
(pp. 103-116).
(/isis/citation/CBB144018218/)
Article
Brandon Konoval
(2018)
Pythagorean Pipe Dreams? Vincenzo Galilei, Marin Mersenne, and the Pneumatic Mysteries of the Pipe Organ.
Perspectives on Science
(pp. 1-51).
(/isis/citation/CBB973868448/)
Article
Martensen, Karin
(2018)
Mensch und Maschine in den Laboratorien Thomas Alva Edisons. Ein Beitrag zur Technikhistorie aus musikwissenschaftlicher Sicht. (Man and machine in the laboratories of Thomas Alva Edison. A contribution to the history of technology from a musicological point of view.).
Technikgeschichte: Beiträge zur Geschichte der Technik und Industrie
(pp. 149-172).
(/isis/citation/CBB084582039/)
Book
Daniel Warner
(2017)
Live Wires: A History of Electronic Music.
(/isis/citation/CBB353866426/)
Chapter
Myles W. Jackson
(2017)
Charles Wheatstone: Musical Instrument Making, Natural Philosophy, and Acoustics in Early-Nineteenth-Century London.
(p. 101).
(/isis/citation/CBB370684235/)
Chapter
Flora Willson
(2017)
Hearing Things: Musical Objects at the 1851 Great Exhibition.
(p. 227).
(/isis/citation/CBB406736948/)
Chapter
James Q. Davies
(2017)
Instruments of Empire.
(p. 145).
(/isis/citation/CBB147604907/)
Article
Cecilia Panti
(2017)
Boethius and Ptolemy on Harmony, Harmonics and Human Music.
Micrologus: Nature, Sciences and Medieval Societies
(pp. 3-36).
(/isis/citation/CBB900599050/)
Book
Rebecca Cypess
(2016)
Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy.
(/isis/citation/CBB480474643/)
Book
Laurent Dubois
(2016)
The Banjo: America’s African Instrument.
(/isis/citation/CBB345824780/)
Article
Deepanwita Dasgupta
(2016)
Scientific Practice in the Contexts of Peripheral Science: C. V. Raman and His Construction of a Mechanical Violin-Player.
Perspectives on Science
(pp. 381-395).
(/isis/citation/CBB105730493/)
Book
Thomas Patteson
(2015)
Instruments for New Music: Sound, Technology, and Modernism.
(/isis/citation/CBB077204349/)
Article
Wood, Jennifer Linhart
(2015)
An Organ's Metamorphosis: Thomas Dallam's Sonic Transformations in the Ottoman Empire.
Journal for Early Modern Cultural Studies
(pp. 81-105).
(/isis/citation/CBB001553169/)
Thesis
Kate R. Levitt
(2015)
Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies.
(/isis/citation/CBB228320483/)
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