Book Nicomachus of Gerasa; Sofia Di Mambro (2025)
Manuale di Armonica. (/isis/citation/CBB240556879/) unapi

Article Edward Halley Barnet (2023)
The Harpsichord Brain: Instrumental Models of the Mind in Eighteenth-Century France. Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 769-790). (/isis/citation/CBB208678340/) unapi

Article Thamarai Selvan Kannan (October 2023)
Skin and Sound: Caring for and Crafting Bovine Hide in South India. Technology and Culture (pp. 1121-1139). (/isis/citation/CBB529821269/) unapi

Book Patrizio Barbieri (2023)
Tuning and Temperament: Practice vs Science. 1450-2020. (/isis/citation/CBB826943267/) unapi

Chapter Sven Kube (2023)
Richer Sounds: Capitalism, Musical Instruments, and the Cold War Sonic Divide. In: Capitalism and the Senses. (/isis/citation/CBB287367184/) unapi

Book Albert Glinsky (2022)
Switched On: Bob Moog and the Synthesizer Revolution. (/isis/citation/CBB124652666/) unapi

Book Artemis Yagou (2022)
Technology, Novelty, and Luxury. (/isis/citation/CBB616214258/) unapi

Article Thamarai Selvan (March 23, 2021)
Panrutti Kattai: Crafting Taste and Sound. Technology's Stories. (/isis/citation/CBB861075946/) unapi

Chapter José E. Martínez-Reyes (2021)
Timber to Timbre: Fijian Mahogany Plantations and Gibson Guitars. In: Audible Infrastructures: Music, Sound, Media. (/isis/citation/CBB089415474/) unapi

Chapter Zengjian Guan; Xiaoyuan Jiang (2021)
Zenghouyi’s Bells and the Ancient Chinese Rhyming. In: The Origins of Sciences in China: History of Science and Technology in China Volume 1 (pp. 449-470). (/isis/citation/CBB118691258/) unapi

Thesis Patrick David-Jung Bonczyk (2021)
“Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries. (/isis/citation/CBB497166926/) unapi

Book Blake McDowell Wilson (2020)
Singing to the lyre in Renaissance Italy : Memory, performance, and oral poetry. (/isis/citation/CBB805698088/) unapi

Article Scott A. Trudell (2020)
An organ for the seraglio: Thomas Dallam's artificial life. Renaissance Studies (pp. 766-783). (/isis/citation/CBB932945210/) unapi

Article Sonja Petersen (2019)
The Notebook and the Laboratory – Types of Knowledge in German Piano-making, 1880–1930. History and Technology (pp. 58-80). (/isis/citation/CBB178123492/) unapi

Article Manuel Bertolini (2019)
Campanella, musica e storia culturale nel Rinascimento. Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali (pp. 103-116). (/isis/citation/CBB144018218/) unapi

Article Brenno Boccadoro; Paolo Gozza (2019)
Ripensare l'umanesimo musicale. Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali (pp. 117-131). (/isis/citation/CBB342327129/) unapi

Book Thor Magnusson (2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions. (/isis/citation/CBB909967877/) unapi

Thesis Katelyn Clark (2019)
The Early Pianoforte School in London’s Musical World, 1785–1800: Technology, Market, Gender, and Style. (/isis/citation/CBB679560387/) unapi

Thesis Zhuqing Hu (2019)
From Ut Re Mi to Fourteen-Tone Temperament: The Global Acoustemologies of an Early Modern Chinese Tuning Reform. (/isis/citation/CBB144734757/) unapi

Article Giuseppe Severini; Andrea Orlando (2018)
Organistrum in Santiago de Compostela: Symphonia Coelestis. Mediterranean Archaeology and Archaeometry (pp. 345-352). (/isis/citation/CBB705706767/) unapi