Concept ID: CBA000117208

Music, electronic

Show 62 citations related to Music, electronic
Show 62 citations related to Music, electronic as a subject or category


Description Term used during the period 2002-present

Permalink
data.isiscb.org/isis/authority/CBA000117208
Publications timeline | Click to expand
Updated timeline is loading. Please wait. The server may be processing several jobs...
Related places (List view)

Related Citations

Article Sterne, Jonathan (2006)
The MP3 as cultural artifact. New Media & Society (p. 825). (/isis/citation/CBB001181381/) unapi

Article Maronttate, Jan (2005)
Digital recording and the reconfiguration of music as performance. American Behavioral Scientist (pp. 1422-1438). (/isis/citation/CBB001181291/) unapi

Article Bull, Michael (2004)
Sound connections: An aural epistemology of proximity and distance in urban culture. Environment and Planning D: Society and Space (pp. 103-116). (/isis/citation/CBB001181198/) unapi

Book Millard, A. J. (2004)
The electric guitar: A history of an American icon. (/isis/citation/CBB001180133/) unapi

Article Perlman, Marc (2004)
Golden Ears and Meter Readers: The Contest for Epistemic Authority in Audiophilia. Social Studies of Science (p. 783). (/isis/citation/CBB000651383/) unapi

Book Morton, David L. (2004)
Sound Recording: The Life Story of a Technology. (/isis/citation/CBB000700921/) unapi

Book Millard, André J. (2004)
The Electric Guitar: A History of An American Icon. (/isis/citation/CBB000520070/) unapi

Article Risset, Jean-Claude (2004)
The liberation of sound, art-science and the digital domain: Contacts with Egard Varèse. Contemporary Music Review (p. 27). (/isis/citation/CBB001181341/) unapi

Book Manning, Peter (2004)
Electronic and computer music. (/isis/citation/CBB001181290/) unapi

Book Prendergast, Mark J. (2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age. (/isis/citation/CBB001181333/) unapi

Article Manning, Peter (2003)
The influence of recording technologies on the early development of electroacoustic music. Leonardo (p. 5). (/isis/citation/CBB001181289/) unapi

Chapter Pinch, Trevor (2002)
The social construction of the synthesizer. In: Music and technology in the twentieth century (p. 67). (/isis/citation/CBB001181326/) unapi

Chapter Pinch, Trevor (2002)
Emulating Sound. What Synthesizers Can and Can't Do: Explorations in the Social Construction of Sound. In: Wissen und soziale Konstruktion (p. 109). (/isis/citation/CBB000320010/) unapi

Book Fisher, Margaret (2002)
Ezra Pound's radio operas: The BBC experiments, 1931--1933. (/isis/citation/CBB001181234/) unapi

Book Braun, Hans-Joachim (2002)
Music and technology in the twentieth century. (/isis/citation/CBB001180135/) unapi

Book Pinch, Trevor J.; Trocco, Frank (2002)
Analog Days: The Invention and Impact of the Moog Synthesizer. (/isis/citation/CBB000301532/) unapi

Chapter Pinch, Trevor (2001)
Why you go to a piano store to buy a synthesizer: Path dependence and the social construction of technology. In: Path dependence and creation (p. 381). (/isis/citation/CBB001181325/) unapi

Article Bull, Michael (2001)
The world according to sound: Investigating the world of walkman users. New Media & Society (p. 179). (/isis/citation/CBB001181196/) unapi

Book Alderman, John (2001)
Sonic boom: Napster, MP3, and the new pioneers of music. (/isis/citation/CBB001181139/) unapi

Book Zak, Albin, III (2001)
The poetics of rock: Cutting tracks, making records. (/isis/citation/CBB001181404/) unapi

Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment