Article Alejo Stark (2024)
Brecht’s Life of Galileo: Staging a theory of the encounter of practices. Galilæana: Journal of Galilean Studies (pp. 145-165). (/isis/citation/CBB117540338/) unapi

Article A. Navarro-Arcas; S. M. Marco Lozano; Emilio Velasco-Sánchez (2024)
Mechanical and Structural Artefacts Used in “The Mystery of Elche”. Foundations of Science (pp. 157-183). (/isis/citation/CBB701106871/) unapi

Book Karel Capek; Jitka Cejkova (2024)
R.U.R. and the Vision of Artificial Life. (/isis/citation/CBB393316410/) unapi

Chapter Mauro De Zan (2024)
Il significato dell'abiura di Galileo secondo Ippolito Nievo. In: <i>Sine Ira et Studio:</i> Metodo e impegno civile per una razionalità illuministica. Scritti offerti a Dario Generali (pp. 745-762). (/isis/citation/CBB789035404/) unapi

Book Roger Smith (2023)
Kinaesthesia in the Psychology, Philosophy and Culture of Human Experience. (/isis/citation/CBB321895577/) unapi

Article Isabella Schwaderer (2023)
“Exotic Sensation” or “Völkisch Art”? Press Reviews of the Indisches Ballett Menaka (Menaka Indian Ballet) on Tour Through Germany, 1936–1938. NTM: Zeitschrift für Geschichte der Naturwissenschaften, Technik und Medizin (pp. 333-356). (/isis/citation/CBB075469907/) unapi

Book Matt Williamson (2023)
Hunger, Appetite and the Politics of the Renaissance Stage. (/isis/citation/CBB430660649/) unapi

Article Enrico Massaro; Peter D. Usher (2022)
Ancient and Renaissance astronomers in Shakespeare's The Tragedy of Hamlet. Journal of Astronomical History and Heritage (pp. 745-759). (/isis/citation/CBB048967250/) unapi

Book Noémie Ndiaye; Geraldine Heng; Ayanna Thompson (2022)
Scripts of Blackness: Early Modern Performance Culture and the Making of Race. (/isis/citation/CBB766450600/) unapi

Book Emma Weitkamp; Carla Almeida (2022)
Science & Theatre: Communicating Science and Technology with Performing Arts. (/isis/citation/CBB212258283/) unapi

Article Jeffrey Rubel (2022)
‘You never need an analyst with Bobby around’: The mid-20th-century human sciences in Sondheim and Furth's musical Company. History of the Human Sciences (pp. 168-192). (/isis/citation/CBB433240164/) unapi

Article Cassidy, David C. (2022)
The Drama of Farm Hall: A Historian Ventures into Play Writing. Berichte zur Wissenschaftsgeschichte. (/isis/citation/CBB612318059/) unapi

Article Whitney E. Laemmli (2022)
How to Capture Movement. Historical Studies in the Natural Sciences (pp. 132-135). (/isis/citation/CBB065455071/) unapi

Book Yuji Nawata; Hans Joachim Dethlefs (2022)
Performance Spaces and Stage Technologies: A Comparative Perspective on Theatre History. (/isis/citation/CBB845799418/) unapi

Article Isaiah Lorado Wilner (2022)
Body Knowledge, Part II: Motion, Memory, and the Mythology of Modernity. Journal of the History of Ideas (pp. 229-255). (/isis/citation/CBB034533098/) unapi

Chapter Dugan, Holly (2022)
Shylock’s Senses: Entangled Phenomenologies of Difference on Early English Stages. In: Embodiment, expertise, and ethics in early modern Europe: entangling the senses (pp. 132-153). (/isis/citation/CBB939816850/) unapi

Article Isaiah Lorado Wilner (2022)
Body Knowledge, Part I: Dance, Anthropology, and the Erasure of History. Journal of the History of Ideas (pp. 111-142). (/isis/citation/CBB445869118/) unapi

Book Peter D. Usher (2022)
Shakespeare's Knowledge of Astronomy and the Birth of Modern Cosmology. (/isis/citation/CBB677320872/) unapi

Book Dori Coblentz (2022)
Fencing, form and cognition on the early modern stage: artful devices. (/isis/citation/CBB118871365/) unapi

Book Christopher Highley (2022)
Blackfriars in early modern London : theater, church, and neighborhood. (/isis/citation/CBB727584774/) unapi