Show
248 citations
related to Technology and music
Show
248 citations
related to Technology and music as a subject or category
Description Term used during the period 2002-present
Related Citations
Chapter
Andrew Blake
(2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 195-206).
(/isis/citation/CBB162963806/)
Chapter Interlude 2: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 189-192). (/isis/citation/CBB088871049/)
Chapter
Simon Frith
(2016)
The Place of the Producer in the Discourse of Rock.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 207-221).
(/isis/citation/CBB260389967/)
Chapter
Susan Schmidt Horning
(2016)
The Sounds of Space: Studio as Instrument in the Era of High Fidelity.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 29-42).
(/isis/citation/CBB713009477/)
Chapter Interlude 1: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 90-96). (/isis/citation/CBB513788686/)
Chapter
Jan Butler
(2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 223-233).
(/isis/citation/CBB772351228/)
Chapter
Alan Williams
(2016)
‘I’m Not Hearing What You’re Hearing’: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 113-127).
(/isis/citation/CBB107237439/)
Book
Simon Frith; Simon Zagorski-Thomas
(2016)
The Art of Record Production: An Introductory Reader for a New Academic Field.
(/isis/citation/CBB558340383/)
Chapter Interlude 3: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 269-275). (/isis/citation/CBB615853546/)
Chapter
Allan Moore
(2016)
Beyond a Musicology of Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 99-111).
(/isis/citation/CBB142923970/)
Chapter
Phillip McIntyre
(2016)
Rethinking Creativity: Record Production and the Systems Model.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 149-161).
(/isis/citation/CBB475801547/)
Chapter
Zak, Albin, III
(2016)
No-Fi: Crafting a Language of Recorded Music in 1950s Pop.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 43-55).
(/isis/citation/CBB848504039/)
Chapter
George Brock-Nannestad
(2016)
The Lacquer Disc for Immediate Playback: Professional Recording and Home Recording from the 1920s to the 1950s.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 13-27).
(/isis/citation/CBB419674176/)
Chapter
Simon Zagorski-Thomas
(2016)
The US vs the UK Sound: Meaning in Music Production in the 1970s.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 57-76).
(/isis/citation/CBB630134209/)
Chapter
William Moylan
(2016)
Considering Space in Recorded Music.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 163-188).
(/isis/citation/CBB929905273/)
Chapter
Sean Williams
(2016)
Tubby’s Dub Style: The Live Art of Record Production.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 235-246).
(/isis/citation/CBB358687756/)
Chapter
Paul Théberge
(2016)
The End of the World as We Know It: The Changing Role of the Studio in the Age of the Internet.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 77-90).
(/isis/citation/CBB210136963/)
Chapter
Jan Fairley; Alexandrine Boudreault-Fournier
(2016)
Recording the Revolution: 50 Years of Music Studios in Revolutionary Cuba.
In: The Art of Record Production: An Introductory Reader for a New Academic Field
(pp. 247-267).
(/isis/citation/CBB020201172/)
Article
Scholz, Tom
(Spring 2016)
An Interview with . . . Tom Scholz.
The Bridge: Journal of the National Academy of Engineering
(pp. 91-97).
(/isis/citation/CBB500872908/)
Book
Hans-Joachim Braun; Schmidt Horning, Susan
(2016)
Creativity: Technology and Music.
(/isis/citation/CBB803872936/)
Technology and music
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