Book Paul Atkinson (2021)
Amplified: A design history of the electric guitar. (/isis/citation/CBB779609846/) unapi

Thesis Patrick David-Jung Bonczyk (2021)
“Wond’rous Machines”: How Eighteenth-Century Harpsichords Managed the Human-Animal, Human-Machine Boundaries. (/isis/citation/CBB497166926/) unapi

Article Sonja Petersen (2019)
The Notebook and the Laboratory – Types of Knowledge in German Piano-making, 1880–1930. History and Technology (pp. 58-80). (/isis/citation/CBB178123492/) unapi

Thesis Joseph William Pfender (2019)
Oblique Music: American Tape Experimentalism and Peripheral Cultures of Technology, 1887 and 1950. (/isis/citation/CBB797125669/) unapi

Book Thor Magnusson (2019)
Sonic writing: technologies of material, symbolic, and signal inscriptions. (/isis/citation/CBB909967877/) unapi

Book Ewa Mazierska; Rigg, Tony; Gillon, Les (2019)
Popular music in the post-digital age: politics, economy, culture and technology. (/isis/citation/CBB213143296/) unapi

Article Grant Olwage (October 2018)
Paul Robeson's Microphone Voice and the Technologies of Easy Singing. Technology and Culture (pp. 823-849). (/isis/citation/CBB697949245/) unapi

Article Zagorski-Thomas, Simon (October 2018)
Directions in Music by Miles Davis Using the Ecological Approach to Perception and Embodied Cognition to Analyze the Creative Use of Recording Technology in Bitches Brew. Technology and Culture (pp. 850-874). (/isis/citation/CBB458962931/) unapi

Book Nick Prior (2018)
Popular Music, Digital Technology and Society. (/isis/citation/CBB015467493/) unapi

Article Martensen, Karin (2018)
Mensch und Maschine in den Laboratorien Thomas Alva Edisons. Ein Beitrag zur Technikhistorie aus musikwissenschaftlicher Sicht. (Man and machine in the laboratories of Thomas Alva Edison. A contribution to the history of technology from a musicological point of view.). Technikgeschichte: Beiträge zur Geschichte der Technik und Industrie (pp. 149-172). (/isis/citation/CBB084582039/) unapi

Article Hans-Joachim Braun (2018)
Sounding Objects, Collaborative Creators, Improvising Engineers: Suggestions for Research (Essay). Icon: Journal of the International Committee for the History of Technology (pp. 53-64). (/isis/citation/CBB175874695/) unapi

Book Daniel Warner (2017)
Live Wires: A History of Electronic Music. (/isis/citation/CBB353866426/) unapi

Article Stefan Krebs (2017)
The Failure of Binaural Stereo: German Sound Engineers and the Introduction of Artificial Head Microphones. Icon: Journal of the International Committee for the History of Technology (pp. 113-144). (/isis/citation/CBB007112913/) unapi

Chapter Andrew Blake (2016)
Simulating the Ideal Performance: Suvi Raj Grubb and Classical Music Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 195-206). (/isis/citation/CBB162963806/) unapi

Chapter Interlude 2: Comments and Commentaries by Industry Professionals and Producers (2016). In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 189-192). (/isis/citation/CBB088871049/) unapi

Chapter Michael Jarrett (2016)
The Self-Effacing Producer: Absence Summons Presence. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 129-148). (/isis/citation/CBB712436826/) unapi

Chapter Simon Frith (2016)
The Place of the Producer in the Discourse of Rock. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 207-221). (/isis/citation/CBB260389967/) unapi

Chapter Simon Frith; Simon Zagorski-Thomas (2016)
Introduction. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 1-9). (/isis/citation/CBB542549707/) unapi

Chapter Susan Schmidt Horning (2016)
The Sounds of Space: Studio as Instrument in the Era of High Fidelity. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 29-42). (/isis/citation/CBB713009477/) unapi

Chapter Jan Butler (2016)
The Beach Boys’ Pet Sounds and the Musicology of Record Production. In: The Art of Record Production: An Introductory Reader for a New Academic Field (pp. 223-233). (/isis/citation/CBB772351228/) unapi