Concept ID: CBA000116567

Science and art

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Description Term used during the period 2002-present

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Related Citations

Book Jack Challoner (2022)
Seeing Science: The Art of Making the Invisible Visible. (/isis/citation/CBB384641457/) unapi

Book Conohar Scott (2022)
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution. (/isis/citation/CBB537949616/) unapi

Book Hannah Star Rogers (2022)
Art, Science, and the Politics of Knowledge. (/isis/citation/CBB734293422/) unapi

Article Anthony French (2022)
The colouring of John Curtis’s British entomology (1834–1839): Joseph Standish and “the paragon of perfection”. Archives of Natural History (pp. 62-77). (/isis/citation/CBB473136138/) unapi

Article Brittany Myburgh (2022)
Space-Time and Utopia: Notes on artistic engagement with physics from Cubism to Laszlo Moholy-Nagy. Spontaneous Generations (pp. 54-62). (/isis/citation/CBB368804279/) unapi

Book Federico Prina (2022)
Vulcani. Tra geografia e letteratura. (/isis/citation/CBB040204142/) unapi

Chapter Roberta Ballestriero; Marco Tosa (2022)
From the Doge's funeral masks to the 'children with no names'. The art of wax modelling in Venice. In: Ceroplastics: The Science of Wax (pp. 241-250). (/isis/citation/CBB512371226/) unapi

Chapter Laura Cunningham (2022)
Waxing and Waning: The curious case of an early Eaton’s wax display mannequin. In: Ceroplastics: The Science of Wax (pp. 223-240). (/isis/citation/CBB254749156/) unapi

Article Thomas Sharpe (2022)
Henri De la Beche's 1829-1830 litograph, duria antiquior. Earth Sciences History: Journal of the History of the Earth Sciences Society (pp. 47-63). (/isis/citation/CBB971607561/) unapi

Book Francesco Luzzini (2022)
Quando il mondo scalò il Sublime. Scienza e storia nel primo Memoriale dell'Hotel Nave d'Oro di Predazzo (1820-1875). (/isis/citation/CBB828950191/) unapi

Article Teresa Esposito (2022)
Ricerche fisiognomiche nel taccuino di Rubens e nella Physiognomonia di della Porta. Studi dellaportiani (pp. 85-97). (/isis/citation/CBB539866087/) unapi

Article Raffaella De Vivo (2022)
Emozioni ed immagini della donna nella letteratura classica e nella Humana Physiognomonia di della Porta.. Studi dellaportiani (pp. 99-114). (/isis/citation/CBB379943842/) unapi

Chapter Sharon Hecker (2022)
Cast, Not Modelled: The Importance of Understanding Materials and Processes in Medardo Rosso’s Waxes. In: Ceroplastics: The Science of Wax (pp. 261-270). (/isis/citation/CBB742563876/) unapi

Chapter Francesco Loy; Michela Isola (2022)
Further anatomical findings in the wax models of Susini and Boi at the University of Cagliari. In: Ceroplastics: The Science of Wax (pp. 79-84). (/isis/citation/CBB045078904/) unapi

Chapter Eleanor Crook (2022)
A new sculpture Commission for the Wellcome Galleries of Medicine, Science Museum London. In: Ceroplastics: The Science of Wax (pp. 277-288). (/isis/citation/CBB962739816/) unapi

Chapter Marco Antonio Miranda Razo (2022)
Rescue of ancient pigments for the current ceroplastic technique, performed by the Mexican artisan Marco A. Miranda. In: Ceroplastics: The Science of Wax (pp. 271-276). (/isis/citation/CBB284313499/) unapi

Chapter Andrea Cozza; Giovanni Battista Nardelli; Maurizio Rippa Bonati (2022)
The wax models of the gynaecological and obstetric clinic of the University of Padua. In: Ceroplastics: The Science of Wax (pp. 19-30). (/isis/citation/CBB677436556/) unapi

Chapter Thomas Schnalke (2022)
Finger Faces. Wax Hand Models and Moulages in Medicine. In: Ceroplastics: The Science of Wax (pp. 159-174). (/isis/citation/CBB730467792/) unapi

Article Luigi Dei (2022)
Creativity in Art, Literature, Music, Science, and Inventions. Substantia: An International Journal of the History of Chemistry (pp. 13-23). (/isis/citation/CBB705585979/) unapi

Chapter Martina Raudino; Giuseppe Pieraccini; Monica Galeotti; et al. (2022)
The degradation of the anatomical wax models of “La Specola” Museum as a result of a demixing process. In: Ceroplastics: The Science of Wax (pp. 197-208). (/isis/citation/CBB698213194/) unapi

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