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1313 citations
related to Science and art
Show
1313 citations
related to Science and art as a subject or category
Description Term used during the period 2002-present
Book
Jack Challoner
(2022)
Seeing Science: The Art of Making the Invisible Visible.
(/isis/citation/CBB384641457/)
Article
John A. Edgington
(2022)
Three botanical watercolours by Richard Bradley (c.1688–1732) including of coffee and cinnamon.
Archives of Natural History
(pp. 341-346).
(/isis/citation/CBB762625869/)
Article
Marco Masseti
(2022)
Gazelles (Gazella spp.) depicted in frescoes and sculpture from Herculaneum and Pompeii.
Archives of Natural History
(pp. 259-268).
(/isis/citation/CBB432740443/)
Article
Peter B. Logan
(2022)
John James Audubon (1785–1851) carte de visite (c.1860).
Archives of Natural History
(pp. 416-419).
(/isis/citation/CBB257939948/)
Book
Caspar Pearson
(2022)
Leon Battista Alberti: The Chameleon’s Eye.
(/isis/citation/CBB092479661/)
Book
John Potts; Nigel Helyer
(2022)
Science Meets Art.
(/isis/citation/CBB965606422/)
Book
Conohar Scott
(2022)
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution.
(/isis/citation/CBB537949616/)
Book
Hannah Star Rogers
(2022)
Art, Science, and the Politics of Knowledge.
(/isis/citation/CBB734293422/)
Book
Max Ryynänen
(2022)
Bodily Engagements with Film, Images, and Technology: Somavision.
(/isis/citation/CBB189516123/)
Article
Anthony French
(2022)
The colouring of John Curtis’s British entomology (1834–1839): Joseph Standish and “the paragon of perfection”.
Archives of Natural History
(pp. 62-77).
(/isis/citation/CBB473136138/)
Article
Brittany Myburgh
(2022)
Space-Time and Utopia: Notes on artistic engagement with physics from Cubism to Laszlo Moholy-Nagy.
Spontaneous Generations
(pp. 54-62).
(/isis/citation/CBB368804279/)
Book
Simon Martin
(2022)
Drawn to Nature: Gilbert White and the Artists.
(/isis/citation/CBB006150765/)
Article
Anna Dumitriu
(2022)
Hypersymbiotics™: An artistic reflection on the ethical and environmental implications of microbiome research and new technologies.
Endeavour: Review of the Progress of Science
(p. 100820).
(/isis/citation/CBB920515336/)
Article
Whitney E. Laemmli
(2022)
How to Capture Movement.
Historical Studies in the Natural Sciences
(pp. 132-135).
(/isis/citation/CBB065455071/)
Book
Charles Avery; Samuel Shaw; Helen Cowie; et al.
(2022)
Miss Clara and the Celebrity Beast in Art 1500–1860.
(/isis/citation/CBB268778466/)
Article
Kuang-Yi Ku; Liang-Kai Yu
(2022)
Between Art, Science, and Queer Ecology: A Conversation Between Kuang-Yi Ku and Liang-Kai Yu.
East Asian Science, Technology and Society: An International Journal
(pp. 124-129).
(/isis/citation/CBB583756752/)
Book
Federico Prina
(2022)
Vulcani. Tra geografia e letteratura.
(/isis/citation/CBB040204142/)
Chapter
Roberta Ballestriero; Marco Tosa
(2022)
From the Doge's funeral masks to the 'children with no names'. The art of wax modelling in Venice.
In: Ceroplastics: The Science of Wax
(pp. 241-250).
(/isis/citation/CBB512371226/)
Chapter
Laura Cunningham
(2022)
Waxing and Waning: The curious case of an early Eaton’s wax display mannequin.
In: Ceroplastics: The Science of Wax
(pp. 223-240).
(/isis/citation/CBB254749156/)
Article
Thomas Sharpe
(2022)
Henri De la Beche's 1829-1830 litograph, duria antiquior.
Earth Sciences History: Journal of the History of the Earth Sciences Society
(pp. 47-63).
(/isis/citation/CBB971607561/)
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